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我国乐理书中的三种音阶观念

发布时间:2017-12-31 19:35

  本文关键词:我国乐理书中的三种音阶观念 出处:《河南大学》2011年硕士论文 论文类型:学位论文


  更多相关文章: 传统音乐 乐理 三种音阶观念


【摘要】:三种音阶观念已在我国广泛传播并被普遍接受,而三种音阶的传播及影响,则是直接由音乐基础理论教学加以实施并奠定的。只要一提起我国传统音乐不同于西方音乐的特征,就会立刻想到乐理书中讲的三种音阶。要清楚认识三种音阶观念,就不能不从作为音乐基础理论的乐理开始。 李重光、童忠良、杜亚雄等三位学者的乐理著述在我国具有一定的代表性和典型性。李重光是把传统乐理内容纳入到普通乐理中的第一人,其书对三种音阶观念的传播起到了开创性的作用;童忠良等人的乐理教材,把三种音阶与黄翔鹏所提出的“同均三宫”理论联系起来,对已有三种音阶观念的巩固深入起到了很大作用;对于杜亚雄的传统乐理,虽然人们褒贬不一,但其书中有关的理论表述特别是其不断变换的表述方式,却引发我们对三种音阶的思考与认识。 本文将三种音阶观念作为对象,把研究的目光具体锁定在了对三种音阶观念传播产生重大作用的乐理书中,试图就有关的理论表述及谱例实证等进行系统的梳理分析,对其中所显现的问题进行辨析。相信通过对乐理书中有关三种音阶观念的研究,一定会推动我们对于中国传统音阶问题的深入认识和准确把握。
[Abstract]:The concept of three scales has been widely spread and widely accepted in China, and the spread and influence of the three scales. It is directly carried out and laid down by the teaching of basic theory of music, as long as the characteristics of Chinese traditional music are different from those of western music. You will immediately think of the three scales in the book of musical theory. In order to understand the concept of the three scales clearly, we must begin with the musical theory as the basic theory of music. Li Zhongguang, Tong Zhongliang, du Yaxiong and other three scholars' music theory works have certain representativeness and typicality in our country. Li Chongguang is the first person to bring the traditional music theory content into the ordinary music theory. His book has played a pioneering role in the dissemination of three kinds of scale ideas. Tong Zhongliang et al.'s musical theory teaching materials, linking the three scales with the theory of "homogenizing and three houses" put forward by Huang Xiangpeng, played a great role in the consolidation of the existing three kinds of scale concepts. For du Yaxiong's traditional musical theory, although people are different in praise and criticism, the theoretical expression in his book, especially its changing way of expression, has caused us to think and understand the three scales. This article regards three kinds of scale idea as the object, and focuses the research on the musical theory book which plays an important role in the dissemination of the three kinds of scale ideas. This paper attempts to make a systematic analysis of the related theoretical expressions and empirical examples, and to discriminate and analyze the problems that appear in them. It is believed that through the study of the three kinds of scale concepts in the book of musical principles. It will certainly promote our deep understanding and accurate understanding of the traditional Chinese scale.
【学位授予单位】:河南大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J613.6

【引证文献】

相关硕士学位论文 前1条

1 张宇翔;中国五声调式的视唱研究[D];山西大学;2012年



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