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南宋浙派琴乐风格探微

发布时间:2018-07-23 15:28
【摘要】:元代袁桷《清容居士集》中的"琴述——赠黄依然"、"示罗道士"、"题徐天民草书"等记载论及南宋浙派琴乐的诸方面问题,其中论述到郭沔创作的琴曲是"大抵皆依蔡氏声为之者"。联系相关史料,可知郭沔在整理旧谱和创作中继承了"蔡氏五弄"的风格,从而奠定了南宋浙派的琴乐风格。也因为此,浙派被后世视为琴乐的正宗和资源的宝库。
[Abstract]:In Yuan Jue's Collection of Qing Rong Ju Scholars in Yuan Jue, such records as "Qin narration-giving Huang still", "Shiluo Taoist", "title Xu Tianmin cursive Book", and so on, dealt with various aspects of piano music in the Southern Song Dynasty and Zhejiang School. It is discussed that Guo Mian's piano music is mostly based on Chua's voice. According to the relevant historical data, Guo Mian inherited the style of "Chua's five Nong" in sorting out the old music and writing, thus laid the piano music style of the Southern Song Dynasty and Zhejiang School. Because of this, Zhejiang School was regarded by later generations as the authentic piano music and the treasure house of resources.
【作者单位】: 杭州师范大学音乐学院;中央音乐学院音乐学系;
【分类号】:J632.31

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