中国传统油漆彩画在古典园林建筑中的装饰美研究

发布时间：2018-05-12 02:08

本文选题：园林建筑 + 传统油漆彩画　；参考：《重庆大学》2014年硕士论文

【摘要】：油漆彩画在园林建筑中的应用最早起源于实用意义，如防霉防腐防蛀等，继而通过对木结构的不完美的地方进行覆盖等手段体现其装饰价值，然后在漫长的使用过程中逐渐地发展了油漆彩画的美学价值，为园林建筑带来了丰富的艺术表现形式与装饰美感。作为中国古典园林及其建筑造型艺术领域的组成部分，油漆彩画装饰也表现出深远的艺术、文化与社会意义。油漆彩画不仅是对园林建筑单体进行髹饰，更多的时候，油漆彩画的色彩、纹样和整体布局也会因为园林景观环境的主题和精神内核的不同而有所不同。因此，在研究油漆彩画在园林建筑中的应用时，不仅要了解其外在的表现形式，也需要同时借由对古典园林进行的更深入分析，来分析油漆彩画在古典园林中应用时的深层次内涵，以及油漆彩画与古典园林的相互关系。在论述过程中，文章首先分析了传统油漆彩画在园林建筑装饰中的应用历史沿革，虽然这一问题相对复杂，但它却是不可回避的。文章通过查阅考古资料和相关文献记载，参考同时代的漆器文物特征，实地考察现有园林建筑的装饰遗存，并综合各历史时期的社会背景得出了油漆彩画的应用历史脉络。接下来，文章以应用历史总结内容为基础，专门针对传统油漆彩画在园林建筑装饰中的色彩、纹样以及所蕴含的哲学美学理念进行重点分析，并对皇家园林、私家园林、寺观园林三大地方风格及北方、江南，岭南三大地方格的各自装饰特征进行对比，解析每种风格的特点，从中梳理出主要的园林建筑油漆彩画装饰脉络，这也是文章的重点。在以上两部分的基础上，，我尝试总结了中国传统园林建筑油漆彩画装饰的规律性内涵：其整体布局和构图经历了具象到抽象到简洁再到繁复的过程，并在清后期呈现出程式化的特征，油漆彩画在对历史的延续和继承中，同时承载了中国传统文化多彩的寓意和内涵。并在最后结合当代全球化浪潮对传统文化形成冲击的现实，以及我们振兴古典园林艺术的迫切责任，提出了关于传统园林建筑油漆彩画装饰在新时代的继承与发展问题。本文由总结园林建筑中油漆彩画装饰历史入手，归纳出油漆彩画装饰的应用特征，并深入分析其中的形式内涵，并借由这些分析来推导出油漆彩画装饰的造型特征、设计原则、内在规律及审美内涵，并希望通过这些研究为弘扬中国古典园林文化做出一点贡献。
[Abstract]:The application of paint painting in garden architecture originated from practical meaning, such as anti-mildew, anticorrosion and moth-proof, and then reflected its decorative value by covering the imperfect place of wood structure. Then in the long process of use, it gradually develops the aesthetic value of paint painting, which brings rich artistic expression and decorative aesthetic sense to the garden architecture. As an integral part of Chinese classical garden and its architectural plastic arts, painting and color painting decoration also shows profound artistic, cultural and social significance. Paint painting is not only to paint the individual garden architecture decoration, more often, paint color, pattern and overall layout will also be different because of the theme of the landscape and the spirit of the core of the different landscape. Therefore, in studying the application of paint painting in garden architecture, we should not only understand its external forms of expression, but also need a more in-depth analysis of classical gardens at the same time. To analyze the deep connotation of painting color painting in the application of classical garden, and the relationship between painting color painting and classical garden. In the process of discussion, the article first analyzes the history of the application of traditional paint painting in the decoration of garden architecture. Although this problem is relatively complex, it is unavoidable. By referring to the archaeological materials and related documents, referring to the characteristics of lacquer artifacts of the same era, the article investigates the decorative remains of the existing garden buildings on the spot, and draws the historical context of the application of paint color paintings by synthesizing the social background of each historical period. Then, based on the application of historical summary, the article focuses on the color, pattern and philosophy and aesthetics of traditional paint painting in the decoration of garden architecture, and analyzes the royal garden and private garden. The three local styles of monastery garden and their respective decorative characteristics of north, Jiangnan and Lingnan are compared, and the characteristics of each style are analyzed, from which the main decorative veins of painting and color painting of garden architecture are sorted out, which is also the focal point of the article. On the basis of the above two parts, I try to summarize the regular connotation of painting and color painting decoration of Chinese traditional garden architecture: its overall layout and composition have experienced the process from concrete to abstract to succinct to complicated. And in the late Qing Dynasty showed the stylized characteristics, paint painting in the continuation and inheritance of history, while carrying the Chinese traditional culture colorful implication and connotation. Finally, combining the reality of the impact of the contemporary globalization wave on the traditional culture, and our urgent responsibility of revitalizing the classical garden art, this paper puts forward the inheritance and development of the painting and color painting of the traditional garden architecture in the new era. Starting with the history of painting decoration in garden architecture, this paper sums up the application characteristics of paint color painting decoration, and deeply analyzes the formal connotation of it, and deduces the modeling features and design principles of paint color painting decoration by these analysis. Through these studies, we hope to make some contributions to the promotion of Chinese classical garden culture.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU986.4;TU238

【参考文献】