禅文化在中国现代园林中的应用研究

发布时间：2018-06-10 19:29

本文选题：禅文化 + 现代园林　；参考：《东北农业大学》2014年硕士论文

【摘要】：随着我国城市化进程的加快及人们生活水平的提高,人们对生活环境的要求也越来越高。人们希望现代园林既可以满足游览休憩的功能,还要创造宜人的生态环境同时具有一定的文化内涵。这对我国的现代园林既是机遇又是挑战。自改革开放以来,我国的园林事业进入了大发展大繁荣时期,各种西方设计思想的涌入使中国的园林形成了百花齐放的态势,但是居安思危,我们仍能发现我国现代园林中出现的隐患。首先,我国的现代园林没有形成自己的风格,中国的土地上充斥着各种形式的“法国园”、“英国园”。其次,我国现代园林一味的注重使用功能,对园林的文化内涵和精神层面挖掘不够,致使很多园林作品不过是园林元素的简单叠加,缺失了中国园林独特的风骨。再次,我国现代园林作品中,有些文化内涵意境表达直白,毫无美感,使文化与现代园林的结合成为不可调和的矛盾。基于上述三点,本文从禅文化这一点入手,探讨如何在中国现代园林中引入传统文化。本文立足于禅文化的思想精髓,尊重禅文化却又不拘泥于禅文化。把禅文化作为中国传统文化的一部分,以此为突破口,引导今后现代园林中传统文化的渗透与表达。文章介绍了禅宗的法脉传承与思想变迁,从诗词、绘画、音乐、园林四个角度介绍了禅对中国传统艺术的影响,从而探求出,禅文化园林中应该借鉴艺术的表达形式。以此为原则,又通过中日两国园林审美及形式上的对比,总结出中国禅文化园林的设计原则和方法,最后结合项目实例,把所述的理论方法落实在图纸上,意在为禅文化园林的营造提供一些借鉴。作者在硕士期间有幸参与了嫩江禅文化公园的设计工作,从前期的选址、测量、风格定位到后期的详细设计、文本出图、成果汇报都全程参与。这期间对禅文化与现代园林有了更深一步的领会。所以,本文的重点不是追溯禅与中国园林的渊源,也不是对哲学理论的辨析。而是把禅作为一种文化现象,用文化符号把其高深隐晦的文化形式拆解,达到园林中的有的放矢,把禅的精髓溶入到园林元素之中。以往研究方向相似的文章多侧重寺庙园林的发展,或是在具体设计中只谈原则而不讲方法,还有的把禅文化用“风”、“光”、“水”等抽象的形式来表达,而本文把禅文化园林定位为现代公共绿地空间,将重点放在具体的应用上,提出了一些在实际设计中的想法,希望对今后的深入研究提供一些借鉴。
[Abstract]:With the acceleration of urbanization and the improvement of people's living standard, people's demands on living environment are higher and higher. People hope that modern gardens can not only meet the functions of sightseeing and rest, but also create a pleasant ecological environment with certain cultural connotations. This is both an opportunity and a challenge to our modern gardens. Since the reform and opening up, the garden industry in our country has entered a period of great development and prosperity. The influx of various western design ideas has made the gardens of China blossom in a hundred flowers, but they are in danger in times of peace. We can still find hidden dangers in our modern gardens. First of all, Chinese modern gardens do not form their own style, Chinese land is full of various forms of "French garden", "British garden". Secondly, our modern garden blindly pays attention to the use of function, the cultural connotation and spiritual level of the garden is not enough, resulting in a lot of garden elements are simply superimposed, missing the unique strength of the Chinese garden. Thirdly, in Chinese modern garden works, the artistic conception of some cultural connotations expresses plainly and has no aesthetic feeling, which makes the combination of culture and modern garden become irreconcilable contradiction. Based on the above three points, this paper discusses how to introduce traditional culture into Chinese modern gardens from the point of view of Zen culture, which is based on the essence of Zen culture and respects Zen culture without sticking to Zen culture. Taking Zen culture as a part of Chinese traditional culture and taking it as a breakthrough guide the infiltration and expression of traditional culture in modern gardens in the future. This paper introduces the inheritance and ideological change of Zen Buddhism, and introduces the influence of Zen on Chinese traditional art from four angles of poetry, painting, music and garden, so as to find out that the expression of art should be used for reference in the garden of Zen culture. Taking this as the principle, and by comparing the aesthetic and formal aspects of gardens between China and Japan, the design principles and methods of Chinese Zen culture gardens are summarized. Finally, the theory and methods mentioned above are carried out on the drawings in the light of project examples. The author was fortunate to participate in the design of Nenjiang Zen Cultural Park during his master's degree, from the site selection, measurement, style orientation to the detailed design of the later stage, and the text was drawn out. Results are reported throughout the process of participation. During this period, Zen culture and modern gardens have a deeper understanding. Therefore, the focus of this paper is not to trace the origin of Zen and Chinese gardens, nor to discriminate the philosophical theory. It takes Zen as a kind of cultural phenomenon, disassembles its profound and obscure cultural form with cultural symbols, reaches the goal of garden, and melts the essence of Zen into garden elements. In the past, articles with similar research directions have focused on the development of temple gardens, or in their specific design, they have only talked about principles and not methods, and have expressed Zen culture in abstract forms such as "wind", "light", "water" and so on. In this paper, the Zen culture garden is positioned as the modern public green space, the emphasis is put on the concrete application, and some ideas in the practical design are put forward, hoping to provide some reference for the further research in the future.
【学位授予单位】：东北农业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU986

【参考文献】