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BIG建筑创作中的原型思想研究

发布时间:2018-06-22 22:46

  本文选题:BIG + 几何原型 ; 参考:《大连理工大学》2014年硕士论文


【摘要】:本文试图从几何原型与空间原型两个角度分析与追溯BIG的建筑设计与形体塑造策略,从而了解到BIG丰富而统一的建筑创作手法与设计哲学,并从中获得有益于当代国内建筑创作的启示。 本文共分五章,包含三部分内容。 第一部分(第一、二章)陈述了课题的提出,研究意义、研究现状、研究方法及框架内容,论文的组织结构等等,并简述了BIG的建筑创作背景及其当前创作思想的主要组成部分。其中第二章是对相关理论概念的界定,通过对西方建筑原型理论的追溯与相关书籍概念的研究界定出本文中原型思想的内涵与延伸。 第二部分(第三、四章)着重从几何原型与空间意向原型两个出发点对BIG的相关作品进行梳理、分析与归纳,阐述原型思想如何影响BIG建筑创作过程。其中第三章对BIG作品从“□”型、“○”型、“△”型、与“—”型四个几何原型出发结合案例综合分析BIG作品的形体塑造方法。建筑是以三维空间为基础的,二维向三维的转化过程是研究的重点。BIG用一系列的“动作”将诸多外来条件转变成形体塑造的动力,通过不断的尝试与筛选满足各方利益并达到最终“快乐的形式”。第四章从比亚克·因格尔斯的生活和教育背景中提取出两个经验空间原型“交往空间”和“拥挤文化”,并从建筑现象学角度分析了BIG如何将两个空间意向原型代入到设计作品中。 第三部分(第五章)总结归纳了BIG的建筑设计思辨与创作哲学及其对当代国内建筑创作所带来的一些有益启示。
[Abstract]:This paper attempts to analyze and trace back the architectural design and body shaping strategy of big from the angles of geometric archetype and spatial archetype, so as to understand the rich and unified architectural creation techniques and design philosophy of big. And from it is beneficial to the contemporary domestic architectural creation enlightenment. This paper is divided into five chapters, including three parts. The first part (chapter one and two) states the proposition of the subject, the significance of the research, the present situation of the research, the research methods and the contents of the framework, the organization structure of the paper, etc. The background of big's architectural creation and the main components of its current creative thought are also briefly described. The second chapter is the definition of related theoretical concepts, through the western architectural archetypal theory of tracing and related book concepts to define the connotation and extension of archetypal thought in this paper. The second part (chapter three and four) focuses on combing, analyzing and summarizing the related works of big from the two starting points of geometric archetype and spatial intention archetype, and expounding how archetypal thought influences the process of big architecture creation. The third chapter analyzes the shape shaping method of big works from four geometric archetypes: "-" type, "0" type, "type", "-" type and "-" type. Architecture is based on three-dimensional space, the process of transformation from two-dimensional to three-dimensional is the focus of the study. Big uses a series of "actions" to transform a lot of external conditions into the motive force of shape shaping. Through continuous trial and screening to meet the interests of all parties and achieve the ultimate "happy form." In the fourth chapter, two empirical space prototypes, "communication space" and "crowded culture", are extracted from Biarke Ingels' living and educational background. From the perspective of architectural phenomenology, this paper analyzes how big puts two spatial intention prototypes into the design works. In the third part (Chapter 5), the author summarizes and sums up the architectural design thinking and creative philosophy of big and its beneficial enlightenment to contemporary domestic architectural creation.
【学位授予单位】:大连理工大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:TU201

【参考文献】

相关期刊论文 前8条

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8 张楠;建筑空间意向与过程[J];室内设计;2004年02期



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