拼贴设计在20世纪先锋派建筑中的运用研究

发布时间：2018-07-23 07:51

【摘要】：如果说艺术需要跟随社会前进的步伐，那么先锋派就是率先扬起进步大旗的群体；他们不满足于当下，对政治构成做出反应，对社会现实进行批判，不断的把艺术与生活向前推进。他是西方文化危机的产物，是艺术对飞速发展的社会、经济和技术巨变做出的激进回应。换言之，先锋派是社会工业化过程中出现的一股重要的反叛力量先锋派概念，因此，它当之无愧的成为了西方20世纪以来艺术领域中的一个重要的艺术概念。拼贴的形式首先出现在立体主义的绘画之中，作为一种传统绘画的替代，一种油画布上的创新之举，它的形式与材料冲击了学科的极限。经过发展，拼贴与现代建筑的联系显得更加深奥与抽象，扮演着抽象绘画与建筑实践之间的媒介；它出现在当时许多先锋派设计师的作品中，，暗含着对于城市现象、建筑的思考，探索着重叠、并置、对立、类比、肌理、透明性的相关概念与相互关系。在20世纪60年代，这样的拼贴手法对建筑形式的转化起到了至关重要的作用，先锋派建筑师通过拼贴跨向了过去被艺术家所统治的领域，实现了现代建筑与现代艺术之间的对话。本文以“拼贴的运用”为重要线索，先试图分析归纳了拼贴在20世纪60年代的先锋派小组阿基格拉姆社团（Archigram）以及阿基佐姆工作室(Archizoom)中的运用，再就此针对先锋派建筑中拼贴的艺术特征、编排方式、编排策略以及隐喻展开扩展式的深入探究解读，挖掘更深层次的内涵，给予当今设计师更多的启示与思考。
[Abstract]:If art needs to follow the pace of social progress, then the avant-garde is the group that takes the lead in raising the banner of progress; they are not satisfied with the present, react to the political composition, and criticize the social reality. Keep pushing art and life forward. He was the product of the Western cultural crisis and the radical response of art to the rapid social, economic and technological upheavals. In other words, avant-garde is an important concept of rebel avant-garde in the process of social industrialization, therefore, it has become an important artistic concept in the field of art since the 20th century in the West. The form of collage first appears in the Cubism painting, as a kind of traditional painting substitution, a kind of innovation on the canvas, its form and material impact the limit of the subject. Through development, the connection between collage and modern architecture is more profound and abstract, acting as the medium between abstract painting and architectural practice. It appeared in the works of many avant-garde designers at that time and implied the phenomenon of the city. Architectural thinking explores the related concepts and relationships of overlap, juxtaposition, opposites, analogy, texture, transparency. In the 1960s, such collage techniques played a crucial role in the transformation of architectural forms, and the avant-garde architects were able to collate across areas that had been ruled by artists in the past. The dialogue between modern architecture and modern art is realized. Taking the application of collage as an important clue, this paper first attempts to analyze and summarize the application of collage in the avant-garde group Aki Gramm community (Archigram) and Akizom studio (Archizoom) in the 1960s. Based on the artistic features, arrangement methods, arrangement strategies and metaphors of the avant-garde architecture, the author further explores and interprets the deeper connotation of collage, and gives more inspiration and reflection to the designers today.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU201

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