“写意”手法在室内公共空间中的应用
发布时间：2018-09-06 11:40
【摘要】：随着社会的发展和人们物质文化生活水平的不断提高,价值观、生活观、审美观都在发生着全方位、深层次的变化。人们在追求物质生活的同时开始逐渐的要求对自身精神和心理需求的提高,室内公共空间设计可以是具有创造性的满足人们精神文化生活的场所,也是满足人的精神情感更高层次追求的途径之一。当人们不满足目前的精神生活时,设计开始趋向人文情怀,重视人性化、自由化和多元化,追求文化品质和独特的审美情感。随着时代的进步和人们文化水平的不断提高,室内公共空间设计的文化品质要求必然成为社会不断发展和设计技术与理念不断进步的产物,如何是空间设计更符合人性化,使得心理具有正面的积极的情绪,成了如今设计讨论的必然话题。“写意”手法的应用无论是在设计空间的界面语言形态的表达上还是在设计施工过程中各个环节的配合上以及设计最终成果的实现传达给受众的文化情感上都是作为二维平面设计对三维空间的借鉴的又一成功推动。本文从中国画的发展历程说起引出中国的画体分为宫廷画、山水画、文人画。又从绘画的发展历史中提出文人画是中国画“写意”表达的主要画体,提炼了其主要的表现形式包括“线”、“色”、“墨”。并通过分析总结出他们各自不同的特点,与中国绘画的构图形式提出三大应用特征：关联性、象征性、留白结合,对不同使用功能的室内公共空间提供新的创意思路和完善手法。论文期望通过阐述两个不同艺术领域之间的相互关系,将中国画“写意”手法在室内公共空间设计中理论化系统化,多角度阐述“写意”手法在室内公共空间中的价值与意义,尝试对室内公共空间设计的发展进行新的探索,为室内公共空间带来一个全新的视角和设计思路,并提示设计师对室内公共空间中的文化内涵得表达进行一定的关注。
[Abstract]:With the development of society and the continuous improvement of people's material and cultural living standards, values, outlook of life and aesthetic standards are all undergoing all-round and profound changes. People in the pursuit of material life at the same time began to gradually demand the improvement of their own spiritual and psychological needs, indoor public space design can be creative to meet the spiritual and cultural life of the place, It is also one of the ways to satisfy the higher level pursuit of human spirit and emotion. When people are not satisfied with the present spiritual life, the design begins to move towards humanistic feelings, attach importance to humanization, liberalization and diversification, and pursue cultural quality and unique aesthetic feelings. With the progress of the times and the continuous improvement of people's cultural level, the cultural quality requirements of the interior public space design will inevitably become the product of the continuous development of society and the continuous progress of the design technology and concept. How is the space design more in line with the humanization? Make the psychology have the positive emotion, became the inevitable topic of the design discussion nowadays. The application of "freehand brushwork" is not only in the expression of the interface language form in the design space, but also in the cooperation of each link in the design and construction process, as well as in the cultural emotion conveyed to the audience by the realization of the final result of the design. As a two-dimensional plane design for three-dimensional space for reference another successful promotion. This paper begins with the development of Chinese painting, drawing Chinese paintings into court painting, landscape painting and literati painting. From the history of the development of painting, the author points out that literati painting is the main painting body of "freehand brushwork" in Chinese painting, and abstracts its main forms of expression, including "line", "color" and "ink". And through the analysis and summary of their different characteristics, and the composition of Chinese painting proposed three major application characteristics: relevance, symbolism, white combination, To different uses the function indoor public space to provide the new creative idea and the consummation technique. This paper hopes to systematize the theory of "freehand brushwork" in the design of indoor public space by expounding the relationship between two different artistic fields, and expounds the value and significance of "freehand brushwork" in indoor public space from many angles. This paper attempts to explore the development of indoor public space design, brings a new perspective and design ideas for indoor public space, and points out that designers should pay attention to the expression of cultural connotation in indoor public space.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU238.2
[Abstract]:With the development of society and the continuous improvement of people's material and cultural living standards, values, outlook of life and aesthetic standards are all undergoing all-round and profound changes. People in the pursuit of material life at the same time began to gradually demand the improvement of their own spiritual and psychological needs, indoor public space design can be creative to meet the spiritual and cultural life of the place, It is also one of the ways to satisfy the higher level pursuit of human spirit and emotion. When people are not satisfied with the present spiritual life, the design begins to move towards humanistic feelings, attach importance to humanization, liberalization and diversification, and pursue cultural quality and unique aesthetic feelings. With the progress of the times and the continuous improvement of people's cultural level, the cultural quality requirements of the interior public space design will inevitably become the product of the continuous development of society and the continuous progress of the design technology and concept. How is the space design more in line with the humanization? Make the psychology have the positive emotion, became the inevitable topic of the design discussion nowadays. The application of "freehand brushwork" is not only in the expression of the interface language form in the design space, but also in the cooperation of each link in the design and construction process, as well as in the cultural emotion conveyed to the audience by the realization of the final result of the design. As a two-dimensional plane design for three-dimensional space for reference another successful promotion. This paper begins with the development of Chinese painting, drawing Chinese paintings into court painting, landscape painting and literati painting. From the history of the development of painting, the author points out that literati painting is the main painting body of "freehand brushwork" in Chinese painting, and abstracts its main forms of expression, including "line", "color" and "ink". And through the analysis and summary of their different characteristics, and the composition of Chinese painting proposed three major application characteristics: relevance, symbolism, white combination, To different uses the function indoor public space to provide the new creative idea and the consummation technique. This paper hopes to systematize the theory of "freehand brushwork" in the design of indoor public space by expounding the relationship between two different artistic fields, and expounds the value and significance of "freehand brushwork" in indoor public space from many angles. This paper attempts to explore the development of indoor public space design, brings a new perspective and design ideas for indoor public space, and points out that designers should pay attention to the expression of cultural connotation in indoor public space.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU238.2
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