牌坊文化符号在景观空间设计中的应用研究

发布时间：2018-10-30 16:32

【摘要】：牌坊是中国传统文化的一个缩影,长久以来被认为是华夏文明的象征。其作为中国传统建筑发展历程中最具有鲜明艺术特色的作品之一,不仅是中国传统建筑及造型艺术领域的重要组成部分,还具有独领风骚的审美价值、丰富的社会功能和深厚的历史底蕴。起初,牌坊是作为建筑的附属品及装饰品而出现的建筑单体,其在经过数百年乃至数千年的历史演变,逐渐发展成为一种纪念性的象征,是人们对人生理想的一种物化表现,也是封建“礼制”和封建道德的一种呈现形式。随着封建思想的消亡,牌坊的一些功能和意义也随之消失,现在牌坊更多的被应用于景观的出入口或建筑群入口处,其功能主要是起到标示和界定空间的作用。而伴随着现代景观思潮的到来,牌坊的演变与发展遇到了多种多样的瓶颈问题,很多新建的牌坊与现代景观空间格格不入,也给公众带来了审美的落差,以及随着城市特色危机现象的日益加剧,人们对于地域性景观的要求也越来越迫切。本文正是针对这些当今出现的热点问题,试图通过对传统牌坊的历史背景与艺术形式的研究,探寻一条传承牌坊文化精髓的途径,从而为现代景观空间中牌坊文化符号的设计与应用起到一定的指导意义和探索价值。本文从符号学角度出发,按照从理论到方法的思路来分析和研究牌坊文化符号在景观空间设计中的应用。全文共分为五章。第一章主要介绍论文研究的背景知识,包括研究背景、研究目的与意义、研究方法以及国内外研究现状；第二章是介绍符号学以及牌坊文化的相关理论；第三章分别从符号学的符构、符义、符用三个理论层面剖析牌坊文化,阐述牌坊文化符号的表层及深层结构、意义传达机制以及与认知主体的关系；第四章归纳牌坊文化符号可应用的意义主题类型,总结其提取原则与方法,列举牌坊文化符号的具体应用手法,并探讨牌坊文化符号在景观空间设计中的应用载体和应用方式；第五章为结语,总结论文的研究成果以及不足。
[Abstract]:The archway is a microcosm of Chinese traditional culture and has long been regarded as a symbol of Chinese civilization. As one of the most distinctive works in the development of Chinese traditional architecture, it is not only an important part in the field of Chinese traditional architecture and plastic arts, but also has the unique aesthetic value. Rich social function and profound historical background. At first, the archway was the building monomer that appeared as the accessory and decoration of the building. After centuries and even thousands of years of historical evolution, it gradually developed into a commemorative symbol, and it was a materialized expression of people's ideal of life. It is also a present form of feudal "etiquette" and feudal morality. With the disappearance of feudal thought, some functions and meanings of the archway also disappeared. Now the archway is more used in the entrance of the landscape or the entrance of the building group, and its function is mainly to mark and define the space. With the arrival of modern landscape trend of thought, the evolution and development of archway encountered a variety of bottlenecks, many newly built archways and modern landscape space is incompatible with the public, but also brought the aesthetic gap. And with the increasing crisis of urban characteristics, the demand for regional landscape is becoming more and more urgent. In view of these hot issues, this paper attempts to explore a way to inherit the essence of traditional archway culture by studying the historical background and art form of traditional archway. Therefore, it has certain guiding significance and exploration value for the design and application of cultural symbols of archway in modern landscape space. From the perspective of semiotics, this paper analyzes and studies the application of cultural symbols in landscape space design from theory to method. The full text is divided into five chapters. The first chapter mainly introduces the background knowledge of the thesis, including the research background, the purpose and significance of the research, the research methods and the current situation at home and abroad, the second chapter is the introduction of semiotics and the related theories of the archway culture; The third chapter analyzes the archway culture from three aspects of semiotics, namely, the symbol construction, the semiotics and the symbol, and expounds the surface and deep structure of the cultural symbol, the communication mechanism of the meaning and the relationship with the cognitive subject. The fourth chapter summarizes the meaning theme types of cultural symbols, summarizes its extraction principles and methods, enumerates the specific application of cultural symbols, and discusses the application of cultural symbols in the landscape space design carrier and application; The fifth chapter is the conclusion, summarizes the research result and the insufficiency of the thesis.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU-80;TU986

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