愿解如来真实义：传统佛教建筑中向心图式的哲学阐释
发布时间：2018-11-22 13:40
【摘要】：以现代建筑哲学对于传统建筑文化内涵的再认识及再开发为契机,在分析广义的“向心”现象内涵和佛教经典中有关“向心图式”原型的基础上,以传统佛教建筑为考察对象,从现象学、符号学、类型学、文献学、图像学等视角切入辨析其向心图式原型并依其进行艺术创作的设计思路,将传统佛教建筑中“向心图式”的哲学阐释归纳为“真理真相—向心图式”、“场所精神—向心图式”、“物化自然—向心图式”三个层面,并分析其与建筑类型学同步发展的特征,揭示对传统佛教建筑中“向心图式”进行哲学阐释研究的意义,并尝试探讨构建真正建筑哲学的思路与可行性。研究共分为绪论和主体论述两大部分。绪论部分首先阐明探索传统佛教建筑向心图式生成的动因和意义,指出哲学阐释所融摄的学科、思路,及其与建筑类型学发展并行不悖的特征,通过对“源泉”的求索,使传统建筑文化得到有效传承;其次界定研究的学科范畴,并概述研究的思路及结构;最后对传统佛经哲学、传统佛教建筑、艺术的符号象征、向心图式、建筑哲学等方面的相关研究,相关学者的关键思想以及相关研究方法的运用,阐明各界观点,并对其进行综述。主体论述在整体上,以“现象学”的思维态度及方法为基本原理,在明确哲学阐释所融摄的学科及思路的“铺陈”之上,着重于“去蔽”的研究工作以对传统佛教建筑中的向心图式进行还原分析,以哲学反思的态度加以阐释并形成最终“结论”,此为研究的三大核心部分。其中,第一部分包含一章,明晰研究中有关核心思想的几个关键词的相关内涵,从五个视角认识和辨析研究的实质,实现“传统哲学-艺术哲学-建筑哲学”的理论关联,完成由“向心图式”到“建筑哲学”的初步思考。第二部分包含三章,分别阐明向心图式是佛陀教育中有关诸法实相的粗制表达,是对佛陀教育场所精神的还原并体现佛教建筑的功能实质,是以物化自然手段来实现的对觉悟理想的诉求及对佛国境界的摹仿,分别传达出传统佛教建筑艺术的永恒之美、神圣之美及自然之美,是“求解如来之真实义”的典型图式。第三部分为研究的结论章,对传统佛教建筑中蕴含的大量的向心图式进行综括,总结佛经哲学背景下传统佛教建筑空间生成与发展的内在动因,以此打通东西方建造艺术原始表达的核心思路,为特定空间图式及其演变方式因循传统思维而生的现象找到一种可能的诠释。
[Abstract]:Based on the re-understanding and re-development of the connotation of traditional architectural culture in modern architectural philosophy, and on the basis of analyzing the connotation of the phenomenon of "centripetal" in a broad sense and the prototype of "concentric schema" in the Buddhist Classics, this paper takes the traditional Buddhist architecture as the object of investigation. From the perspectives of phenomenology, semiotics, typology, philology, pictography and so on, the author analyzes the archetypes of his concentric schemata and designs the art creation according to them. The philosophical interpretation of "centripetal schema" in traditional Buddhist architecture is summed up as "truth-concentric schema", "place spirit-centripetal schema", "materialized nature-centripetal schema". It also analyzes the characteristics of its synchronous development with architectural typology, reveals the significance of philosophical interpretation of "concentric schema" in traditional Buddhist architecture, and attempts to explore the idea and feasibility of constructing real architectural philosophy. The research is divided into two parts: introduction and subject discussion. In the introduction part, the motivation and significance of exploring the formation of the concentric schemata of traditional Buddhist architecture are first expounded, and the subject, ideas and characteristics of the philosophical interpretation are pointed out, which go hand in hand with the development of architectural typology, and through the search for the "fountainhead". To make the traditional architectural culture to be effectively inherited; Secondly, it defines the subject category of the research, and outlines the thought and structure of the research. Finally, the related researches on traditional Buddhist sutras philosophy, traditional Buddhist architecture, symbolic symbol of art, concentric schema, architectural philosophy, the key ideas of relevant scholars and the application of relevant research methods are expounded. And to carry on the summary to it. On the whole, on the basis of the thinking attitude and method of phenomenology, the main body expounds on the basis of defining the subject and thought of philosophical interpretation. The emphasis on the study of "de-masking" is to analyze the concentric schema in the traditional Buddhist architecture, to explain it with the attitude of philosophical reflection and to form the final "conclusion", which is the three core parts of the study. Among them, the first part contains a chapter to clarify the relevant connotations of several key words about the core thoughts in the study, to recognize and discriminate the essence of the research from five angles of view, and to realize the theoretical connection of "traditional philosophy-philosophy of art-philosophy of architecture". To complete the initial thinking from "concentric schema" to "architectural philosophy". The second part consists of three chapters, respectively explaining that the centripetal schema is the crude expression of the actual phases of the Buddha's teachings, the restoration of the spirit of the Buddha's educational place and the functional essence of the Buddhist architecture. It is the pursuit of consciousness ideal and the imitation of the realm of Buddha, which is realized by materialized natural means. It conveys the eternal beauty, the sacred beauty and the natural beauty of the traditional Buddhist architecture art, respectively. It is a typical schema of "solving the true meaning of the Tathagata". The third part is the conclusion chapter of the study, including a large number of concentric schemas contained in the traditional Buddhist architecture, and summarizes the internal causes of the formation and development of the traditional Buddhist architecture space under the philosophical background of Buddhist scriptures. In this way, the core idea of the original expression of the eastern and western construction art can be obtained, and a possible interpretation of the phenomenon of the special spatial schema and its evolution based on the traditional thinking can be found.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：TU252
，
本文编号：2349533
[Abstract]:Based on the re-understanding and re-development of the connotation of traditional architectural culture in modern architectural philosophy, and on the basis of analyzing the connotation of the phenomenon of "centripetal" in a broad sense and the prototype of "concentric schema" in the Buddhist Classics, this paper takes the traditional Buddhist architecture as the object of investigation. From the perspectives of phenomenology, semiotics, typology, philology, pictography and so on, the author analyzes the archetypes of his concentric schemata and designs the art creation according to them. The philosophical interpretation of "centripetal schema" in traditional Buddhist architecture is summed up as "truth-concentric schema", "place spirit-centripetal schema", "materialized nature-centripetal schema". It also analyzes the characteristics of its synchronous development with architectural typology, reveals the significance of philosophical interpretation of "concentric schema" in traditional Buddhist architecture, and attempts to explore the idea and feasibility of constructing real architectural philosophy. The research is divided into two parts: introduction and subject discussion. In the introduction part, the motivation and significance of exploring the formation of the concentric schemata of traditional Buddhist architecture are first expounded, and the subject, ideas and characteristics of the philosophical interpretation are pointed out, which go hand in hand with the development of architectural typology, and through the search for the "fountainhead". To make the traditional architectural culture to be effectively inherited; Secondly, it defines the subject category of the research, and outlines the thought and structure of the research. Finally, the related researches on traditional Buddhist sutras philosophy, traditional Buddhist architecture, symbolic symbol of art, concentric schema, architectural philosophy, the key ideas of relevant scholars and the application of relevant research methods are expounded. And to carry on the summary to it. On the whole, on the basis of the thinking attitude and method of phenomenology, the main body expounds on the basis of defining the subject and thought of philosophical interpretation. The emphasis on the study of "de-masking" is to analyze the concentric schema in the traditional Buddhist architecture, to explain it with the attitude of philosophical reflection and to form the final "conclusion", which is the three core parts of the study. Among them, the first part contains a chapter to clarify the relevant connotations of several key words about the core thoughts in the study, to recognize and discriminate the essence of the research from five angles of view, and to realize the theoretical connection of "traditional philosophy-philosophy of art-philosophy of architecture". To complete the initial thinking from "concentric schema" to "architectural philosophy". The second part consists of three chapters, respectively explaining that the centripetal schema is the crude expression of the actual phases of the Buddha's teachings, the restoration of the spirit of the Buddha's educational place and the functional essence of the Buddhist architecture. It is the pursuit of consciousness ideal and the imitation of the realm of Buddha, which is realized by materialized natural means. It conveys the eternal beauty, the sacred beauty and the natural beauty of the traditional Buddhist architecture art, respectively. It is a typical schema of "solving the true meaning of the Tathagata". The third part is the conclusion chapter of the study, including a large number of concentric schemas contained in the traditional Buddhist architecture, and summarizes the internal causes of the formation and development of the traditional Buddhist architecture space under the philosophical background of Buddhist scriptures. In this way, the core idea of the original expression of the eastern and western construction art can be obtained, and a possible interpretation of the phenomenon of the special spatial schema and its evolution based on the traditional thinking can be found.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：TU252
，
本文编号：2349533
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