解读王澍建筑设计思想
发布时间：2019-01-27 14:20
【摘要】：2012年，素有建筑界诺贝尔奖之称的“普利兹克”建筑奖首次落户中国，本土建筑师王澍获此殊荣。中国不乏优秀的设计师，而王澍如横空出世一般获的普利兹克建筑奖使中国乃至世界建筑界都将目光聚焦在他和他的建筑理念上。 在西方文明对全世界成功输出，并成为世界主流文明的情况下，中国传统文化难以避免的没落，正在逐渐走向消亡。中国传统建筑也难逃相同的命运，具有民族传承、传统文化以及地域性特征的建筑已消失殆尽，取而代之的是大规模的以西方文明为基础的现代建筑。中国传统的建筑特色已无从体现，地域之间的差异也日渐消失，所有城市都大同小异。 王澍深受中国传统文化熏陶，以文人自居。在急功近利的发展狂潮中反而能宁静心神，置身于浮华尘世之外，力主于本土建筑的发展之路，以创新的精神将中国传统文化融于建筑当中，重新体现中国传统建筑的精髓与理念。 在王澍的设计中，建筑不拘泥于功能、形式、场地等一系列因素的束缚。建筑布局自由，空间灵活多变，各空间功能丰富。以坡道的形式代替普通走廊与踏步，组织建筑内外交通流线。建筑随山地丘陵高低起伏，，内部空间错落有致，高差多变，室外悬挂坡道也随建筑起落。王澍的建筑形式简洁，与自然和谐共存，如同自然当中的一份子，注重整体环境的营造而非一座建筑的得失。在细节处理中通过对传统文化深刻的理解，将各种元素转化为新的形式体现在建筑当中。王澍对中国园林的偏好使他在自己的设计中更多的使用造园的技法理念，努力营造天人合一的生活环境。在材料的选择上，王澍就地取材，以传统的材料表达地域性的文化特征，大量使用回收的旧砖瓦使他的建筑在建成之初就已经拥有百年的沧桑。而他对建筑“业余”的哲学精神和回归传统的匠人式营造理念，也使得他的建筑作品意境幽远、沁人心脾。 细细体会王澍的建筑，有中国传统文化的底蕴，有以往生活的回忆，同时也有现代建筑的时代感。虽然还不是成熟的体系，但他创新的理念也为中国建筑的发展提出了新的思路。
[Abstract]:In 2012, the Pritzker architecture award, known as the Nobel Prize in Architecture, first settled in China, winning the award by local architect Wang Shu. There is no shortage of outstanding designers in China, and the Pritzker architecture award won by Wang has made the Chinese and the world architecture industry focus on him and his architectural ideas. With the successful export of Western civilization to the world and its becoming the mainstream of the world, the inevitable decline of Chinese traditional culture is gradually dying out. Chinese traditional architecture can not escape the same fate, with the national heritage, traditional culture and regional characteristics of the architecture has disappeared, replaced by large-scale modern architecture based on Western civilization. Chinese traditional architectural characteristics are no longer reflected, geographical differences are gradually disappeared, all cities are much the same. Wang Shu was deeply influenced by Chinese traditional culture and regarded himself as a literati. On the contrary, in the development frenzy of eager achievement and instant profit, they can be quiet and mind, and be outside the world of splendor, and advocate the development of local architecture, and integrate Chinese traditional culture into architecture with the spirit of innovation. Reembody the essence and idea of Chinese traditional architecture. In Wang Shu's design, architecture is not bound by a series of factors, such as function, form, venue and so on. The building layout is free, the space is flexible and changeable, each space function is rich. Take the form of ramp instead of common corridor and step, and organize the traffic streamline inside and outside the building. With the rise and fall of the mountain hills, the interior space is scattered, the height difference is changeable, and the outdoor suspended ramps rise and fall with the building. Wang Shu's architectural form is simple and harmonious with nature. As a part of nature, he pays attention to the construction of the whole environment rather than the gain and loss of a building. Through the deep understanding of the traditional culture, the elements are transformed into new forms in the process of detail processing. Wang Shu's preference for Chinese gardens makes him use more techniques of gardening in his own design and make great efforts to create a living environment in which man and nature are one. In the selection of materials, Wang Shu used the local materials to express the regional cultural characteristics with traditional materials, and used a large number of recycled old bricks and tiles to make his building have a hundred years of vicissitudes at the beginning of its construction. His philosophical spirit of "amateur" architecture and the idea of returning to the traditional craftsman style also make his architectural works beautiful and refreshing. The detailed experience of Wang Shu's architecture has the Chinese traditional culture, the memory of the past life, and the contemporary feeling of the modern architecture. Although not yet a mature system, but his innovative ideas for the development of Chinese architecture put forward new ideas.
【学位授予单位】：长安大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU-86;TU201
[Abstract]:In 2012, the Pritzker architecture award, known as the Nobel Prize in Architecture, first settled in China, winning the award by local architect Wang Shu. There is no shortage of outstanding designers in China, and the Pritzker architecture award won by Wang has made the Chinese and the world architecture industry focus on him and his architectural ideas. With the successful export of Western civilization to the world and its becoming the mainstream of the world, the inevitable decline of Chinese traditional culture is gradually dying out. Chinese traditional architecture can not escape the same fate, with the national heritage, traditional culture and regional characteristics of the architecture has disappeared, replaced by large-scale modern architecture based on Western civilization. Chinese traditional architectural characteristics are no longer reflected, geographical differences are gradually disappeared, all cities are much the same. Wang Shu was deeply influenced by Chinese traditional culture and regarded himself as a literati. On the contrary, in the development frenzy of eager achievement and instant profit, they can be quiet and mind, and be outside the world of splendor, and advocate the development of local architecture, and integrate Chinese traditional culture into architecture with the spirit of innovation. Reembody the essence and idea of Chinese traditional architecture. In Wang Shu's design, architecture is not bound by a series of factors, such as function, form, venue and so on. The building layout is free, the space is flexible and changeable, each space function is rich. Take the form of ramp instead of common corridor and step, and organize the traffic streamline inside and outside the building. With the rise and fall of the mountain hills, the interior space is scattered, the height difference is changeable, and the outdoor suspended ramps rise and fall with the building. Wang Shu's architectural form is simple and harmonious with nature. As a part of nature, he pays attention to the construction of the whole environment rather than the gain and loss of a building. Through the deep understanding of the traditional culture, the elements are transformed into new forms in the process of detail processing. Wang Shu's preference for Chinese gardens makes him use more techniques of gardening in his own design and make great efforts to create a living environment in which man and nature are one. In the selection of materials, Wang Shu used the local materials to express the regional cultural characteristics with traditional materials, and used a large number of recycled old bricks and tiles to make his building have a hundred years of vicissitudes at the beginning of its construction. His philosophical spirit of "amateur" architecture and the idea of returning to the traditional craftsman style also make his architectural works beautiful and refreshing. The detailed experience of Wang Shu's architecture has the Chinese traditional culture, the memory of the past life, and the contemporary feeling of the modern architecture. Although not yet a mature system, but his innovative ideas for the development of Chinese architecture put forward new ideas.
【学位授予单位】：长安大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU-86;TU201
【参考文献】
相关期刊论文 前10条
1 洪长瑾;李浩;;回归传统、力求本土——解读王澍[J];安徽建筑;2012年03期
2 彭w
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