中国风景园林传统水景理法研究
发布时间：2019-06-15 00:21
【摘要】：中国风景园林追求的境界是体现“天人合一”的“虽由人作,宛自天开”,表达了人与自然和谐统一的可持续发展理念。她在长期的发展演变中,积累了一整套具有中国特色的规划设计哲理和设计方法。本文研究的中国风景园林传统水景理法就是古人留过我们的一笔重要遗产。 水景是以水为主体,呈现水的物质特征或文化内涵的综合性风景园林景观,是风景园林中一种常见的景观类型与构成要素。由于深受中国传统文化思想的影响,中国风景园林传统水景在立意、布局和组景中有着独特的理法,形成了鲜明的民族特色,为中国特色风景园林建设做出了重要贡献。 研今必习古,无古不成今。今天,人们在改造自然、建设城市过程中,出现不少由于违背水的自然规律,忽视水景理法的科学性与艺术性,而产生破坏自然生态,浪费宝贵资源的现象,甚至有些还给人类自身带来了灾难。因此,我们有必要系统地研究中国风景园林传统水景理法,总结我国传统风景园林理水中积累的经验,并以古为鉴,与时俱进地发展中国风景园林理水理论,为今后风景园林理水提供指导。 本文在分析归纳文献资料和风景园林实例的基础上,结合已有的研究成果,对中国风景园林传统水景理法的文化底蕴、哲理基础和设计手法进行较为系统的专项研究,旨在探索中国风景园林传统水景的造景特色和理景机制,并为继承和发展中国风景园林传统水景理法建立理论基础。 论文成果的价值主要在以下三个方面： (1)以文献和实例结合的方式讨论中国传统文化对中国风景园林传统水景理法的影响,论述了两者之间的渊源关系。 (2)提出中国风景园林传统水景理法的基本哲理。明析“人与天调,水因人胜”哲理的源起、内涵及实现机制,并通过文献记载和风景园林实例进行相互验证。 (3)在分析归纳文献资料和风景园林实例的基础上,总结中国风景园林传统理法内容,以“疏源之去由,察水之来历”、“山不让土,水不择流”、“山水相映,动静交呈”、“因境选型,一型多式”、“随曲合方,得景随形”、“若为无尽,断处安桥”、“深柳疏芦,菰蒲水芳”、“水有三远,旷奥秀趣”等八个理法专题,分别从水源及流向、水型选择、水与其它要素之间关系、水景三远等方面深入总结和探讨中国风景园林传统水景理法,揭示了中国风景园林传统水景多元而相融一体的景观特色。
[Abstract]:The realm pursued by Chinese landscape architecture is the embodiment of "the unity of man and nature", which expresses the concept of sustainable development of harmony and unity between man and nature, which is "made by man and opened from heaven". In the long-term development and evolution, she has accumulated a set of planning and design philosophy and design methods with Chinese characteristics. The traditional waterscape method of Chinese landscape architecture studied in this paper is an important legacy left by the ancients. Waterscape is a comprehensive landscape with water as the main body, showing the material characteristics or cultural connotation of water. It is a common landscape type and constituent element in landscape architecture. Due to the influence of Chinese traditional culture, the traditional waterscape of Chinese landscape architecture has a unique way of thinking, layout and organization, which has formed distinct national characteristics and made important contributions to the construction of landscape architecture with Chinese characteristics. To study the present will be accustomed to the ancients, but to become the present without the ancients. Today, in the process of reforming nature and building cities, there are many phenomena that destroy natural ecology and waste valuable resources because of violating the natural law of water and neglecting the scientific and artistic nature of waterscape law, and some even bring disasters to human beings themselves. Therefore, it is necessary for us to systematically study the traditional waterscape theory of Chinese landscape architecture, summarize the experience accumulated in the water management of traditional landscape gardens in China, and take the ancient times as a reference to develop the theory of water management of Chinese landscape gardens with the times, so as to provide guidance for the management of water in landscape gardens in the future. On the basis of analyzing and summing up the literature and examples of landscape architecture, combined with the existing research results, this paper makes a systematic special study on the cultural connotation, philosophical basis and design techniques of the traditional waterscape method of Chinese landscape architecture, in order to explore the characteristics and mechanism of traditional waterscape of Chinese landscape architecture, and to establish a theoretical basis for inheriting and developing the traditional waterscape method of Chinese landscape architecture. The value of the results of this paper is mainly in the following three aspects: (1) the influence of Chinese traditional culture on the traditional waterscape method of Chinese landscape architecture is discussed by combining literature and examples, and the origin relationship between the two is discussed. (2) the basic philosophy of the traditional waterscape method of Chinese landscape architecture is put forward. This paper analyzes the origin, connotation and realization mechanism of the philosophy of "Man and Heaven transfer, Water wins because of Man", and verifies each other through literature records and landscape architecture examples. (3) on the basis of analyzing and summing up the literature and examples of landscape architecture, this paper summarizes the contents of the traditional theory of Chinese landscape architecture, such as "thinning the source, observing the origin of water", "mountains do not allow soil, water does not choose flow", "mountains and rivers reflect each other, dynamic and static submission", "choose type according to environment, type I multiform", "follow the situation and form", "if endless, broken Anqiao", "deep willow Shu Lu, Zizania latifolia Pushuifang", "Water is three far away", "if it is endless, broken Anqiao", "Zizania latifolia Pushuifang", "Water is three far away", "if it is endless, broken place Anqiao", "Zizania latifolia Pushuifang". Eight thematic topics, such as absenteeism and interest, are respectively summarized and discussed from the aspects of water source and flow direction, water type selection, the relationship between water and other elements, and the three distant aspects of waterscape, and the traditional waterscape of Chinese landscape architecture is revealed.
【学位授予单位】：北京林业大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：TU986.43
本文编号：2499821
[Abstract]:The realm pursued by Chinese landscape architecture is the embodiment of "the unity of man and nature", which expresses the concept of sustainable development of harmony and unity between man and nature, which is "made by man and opened from heaven". In the long-term development and evolution, she has accumulated a set of planning and design philosophy and design methods with Chinese characteristics. The traditional waterscape method of Chinese landscape architecture studied in this paper is an important legacy left by the ancients. Waterscape is a comprehensive landscape with water as the main body, showing the material characteristics or cultural connotation of water. It is a common landscape type and constituent element in landscape architecture. Due to the influence of Chinese traditional culture, the traditional waterscape of Chinese landscape architecture has a unique way of thinking, layout and organization, which has formed distinct national characteristics and made important contributions to the construction of landscape architecture with Chinese characteristics. To study the present will be accustomed to the ancients, but to become the present without the ancients. Today, in the process of reforming nature and building cities, there are many phenomena that destroy natural ecology and waste valuable resources because of violating the natural law of water and neglecting the scientific and artistic nature of waterscape law, and some even bring disasters to human beings themselves. Therefore, it is necessary for us to systematically study the traditional waterscape theory of Chinese landscape architecture, summarize the experience accumulated in the water management of traditional landscape gardens in China, and take the ancient times as a reference to develop the theory of water management of Chinese landscape gardens with the times, so as to provide guidance for the management of water in landscape gardens in the future. On the basis of analyzing and summing up the literature and examples of landscape architecture, combined with the existing research results, this paper makes a systematic special study on the cultural connotation, philosophical basis and design techniques of the traditional waterscape method of Chinese landscape architecture, in order to explore the characteristics and mechanism of traditional waterscape of Chinese landscape architecture, and to establish a theoretical basis for inheriting and developing the traditional waterscape method of Chinese landscape architecture. The value of the results of this paper is mainly in the following three aspects: (1) the influence of Chinese traditional culture on the traditional waterscape method of Chinese landscape architecture is discussed by combining literature and examples, and the origin relationship between the two is discussed. (2) the basic philosophy of the traditional waterscape method of Chinese landscape architecture is put forward. This paper analyzes the origin, connotation and realization mechanism of the philosophy of "Man and Heaven transfer, Water wins because of Man", and verifies each other through literature records and landscape architecture examples. (3) on the basis of analyzing and summing up the literature and examples of landscape architecture, this paper summarizes the contents of the traditional theory of Chinese landscape architecture, such as "thinning the source, observing the origin of water", "mountains do not allow soil, water does not choose flow", "mountains and rivers reflect each other, dynamic and static submission", "choose type according to environment, type I multiform", "follow the situation and form", "if endless, broken Anqiao", "deep willow Shu Lu, Zizania latifolia Pushuifang", "Water is three far away", "if it is endless, broken Anqiao", "Zizania latifolia Pushuifang", "Water is three far away", "if it is endless, broken place Anqiao", "Zizania latifolia Pushuifang". Eight thematic topics, such as absenteeism and interest, are respectively summarized and discussed from the aspects of water source and flow direction, water type selection, the relationship between water and other elements, and the three distant aspects of waterscape, and the traditional waterscape of Chinese landscape architecture is revealed.
【学位授予单位】：北京林业大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：TU986.43
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，本文编号：2499821
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