“胡适之体”创作路径及诗史意义

发布时间：2017-12-27 21:37

本文关键词：“胡适之体”创作路径及诗史意义　出处：《江汉论坛》2017年09期 　论文类型：期刊论文

【摘要】：由于胡适在初期白话新诗诗人中的领袖地位,其新诗体式便成为了此期诗人们从事新诗创作的"法典",而其《论新诗》也成为了初期白话诗人们的"金科玉律",从而形成了所谓的"胡适之体"的新诗。事实上,"胡适之体"之创作包含三种基本路径:其一是沿袭唐宋诗基本格式或者依着唐宋词调填词;其二是对唐宋诗词体式进行改编与删节;其三则是用现代汉语来翻译或者改写西方诗歌。前二者所产生的新诗成为了唐宋诗词之现代版,后者形成的新诗则是西诗之汉译版与改写版。"胡适之体"创作的三种方式,不仅是初创期新诗创作的基本路径,也是后来的新诗诗人们诗歌创作的基本范式,具有典范意义。
[Abstract]:Because of Hu Shi's leadership in the early vernacular poetry poet of the new verse form became the poetry of people engaged in the creation of new poetry "code", and the "theory of poetry" has become the early vernacular poetry people ", thus forming a new golden laws and precious rules" of the so-called "Hu Shi's body". In fact, "Hu Shi's body" contains three basic paths: one is to follow the basic format of Tang poetry or poetry of Tang and song lyrics on; the second is the poems of Tang and Song Dynasties style adapted and abridged; third is the use of modern Chinese translation or adaptation of Western poetry. The new poetry produced by the first two has become the modern version of the poems of the Tang and Song Dynasties, and the latter is the Chinese version and rewriting version of the western poetry. The three way of Hu Shi's body creation is not only the basic way of new poetry creation at the beginning stage, but also the basic paradigm of later poetry and poets.
【作者单位】：杭州师范大学人文学院;
【基金】：教育部人文社会科学研究一般项目“民国时期唐宋诗词传播及其对旧体诗词创作之影响研究”(12YJA751007) 杭州市哲学社会科学规划重点课题“民国时期大学诗歌教育及对新诗、旧体诗词创作之影响研究”(A11WX02)
【分类号】：I207.25
【正文快照】： 胡适虽然在观念上偏爱白话新诗,但对旧体诗词的热情却一如既往,即使在白话新诗已经获得了文学界的认同之后也没有改变。他不仅关注旧体诗词创作,同时也不断创作旧体诗词,且其旧体诗词极为复杂多样,可谓兼备众体。胡适早期旧体诗歌,如作于1907年的《观爱国女校运动会纪之以诗》

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