批评的身份与限度、使命与尺度

发布时间：2017-12-28 03:20

  本文关键词：批评的身份与限度、使命与尺度　出处：《当代作家评论》2017年06期 　论文类型：期刊论文

  更多相关文章： 批评家 尺度 本能 看戏 本然 文本 当代作家 天赋 李健吾 《典论·论文》

【摘要】：正谁在说话?从前以为,说是一种本能,是本然与天赋之权利,开口就说。这么多年下来,却渐渐有了狐疑——这个说话的人是谁,批评者是谁,是天赋其权吗?假如是读者,当然有权利对文本说三道四,因为他像是一个购买了货物的买主,或花了时间看戏的观众,自然可以评头论足。而批评家就不一定了,他要扮演的,是一个公共性的角色,他一旦说话,就不仅仅是他自己,而是代表了一种身份,这上面附着了媒介、舆论、公共性等诸多因素,所以要小心。不要以为批评家的身份是天赋其权的。
[Abstract]:Who is talking? Once thought, that is a kind of instinct, is the right of naturalness and talent, and said. For many years, but gradually with suspicion -- the speaker is who, who is the gift of their critics, right? If the reader is, of course have the right to text all the time, because he is like a buyer of goods purchased, or spent time in the theater audience, nature can be. A critic is not necessarily. He wants to play a public role. Once he speaks, it is not only himself but an identity, which is attached to many factors such as media, public opinion and publicity. So be careful. Do not think that the identity of a critic is a gift.
【作者单位】： 北京师范大学;
【分类号】：I206.09
【正文快照】： 谁在说话?从前以为,说是一种本能,是本然与天赋之权利,开口就说。这么多年下来,却渐渐有了狐疑——这个说话的人是谁,批评者是谁,是天赋其权吗?假如是读者,当然有权利对文本说三道四,因为他像是一个购买了货物的买主,或花了时间看戏的观众,自然可以评头论足。而批评家就不一定，

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