论迟子建小说的仪式书写

发布时间：2017-12-28 08:27

本文关键词：论迟子建小说的仪式书写　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：迟子建自1980年代初开始发表作品以来,对东北充满异域风情的极地习俗、人性的善与美、人面对苦难的坚韧和超越态度进行了充满灵性的深描,取得了丰硕的成果。在其小说中一个非常显明的现象,便是繁复多元的仪式书写。迟子建小说中的仪式书写,基于仪式的缘由、频率、实现方式等的差异,呈示出多元的样态。具体分为,由古老中国农耕文明传承而来的岁时节日习俗仪式、东北边地色彩浓厚的地域化日常生活仪式、以萨满教为主的神圣宗教仪式及从参与者个人角度考量的仪式等四种基本形态,依此可对迟子建小说中纷繁复杂的仪式景象进行清晰梳理。迟子建小说中的仪式书写,有机地参与到小说的情节发展和主旨构建之中,蕴含了深厚的内涵向度。首先,积淀了浓郁的集体记忆,加深了民族文化认同,有助于国家民族共同体的想象。其次,展演东北“地方性”知识,拾取边地少数民族、生产方式、历史及习俗文化,在全球化语境中以此实现文化突围。再次,复活神话、宗教、习俗仪式中的神秘质素,表达对现代性的质疑和反思。最后,潜入哈尔滨城市生活的内部,追溯这座到处洋溢着异域情调的现代化城市的斑驳复杂的历史,透视了哈尔滨人对宗教信仰的向往,对本真、坚韧的城市品质的持守。迟子建的小说中仪式书写,与日常生活的写实性描述迥异,形成了“仪典”的审美韵味。仪式延长了对文本的审美过程,达到陌生化的审美效果;对神秘、庄重氛围的渲染,实现了对庸常的拒斥;对信仰的精神皈依,对民间和传统文化的关注,体现了迟子建向内转的创作取向。但是,尽管迟子建在现代全球化的语境中有意坚持传统民族本土化创作,却不可避免的受到时代氛围的影响,迎合消费需求。在抵御消费文化的侵袭,固守诗意,复归原生态乌托邦的同时,迟子建小说中的仪式书写隐现物欲化、奇观化、雕琢附会的弊端。
[Abstract]:Chi Zijian has published his works since the beginning of 1980s, and has made a deep spiritual description of the Northeast's exotic customs, the goodness and beauty of human nature, the tenacity and surpassing attitude of people facing hardships, and achieved fruitful results. A very obvious phenomenon in his novels is the complex and multidimensional ritual writing. The ritual writing in Chi Zijian's novels shows a pluralistic pattern based on the differences in ritual origin, frequency and realization. Concrete is divided into four basic forms, from the ancient China farming civilization inherited the festival custom and ceremony, the Northeast color strong local daily life, to the sacred rituals of Shamanism religious rituals and considerations from individual participants from the angle of the ceremony, on Chi Zijian's novels in the complicated ceremony scene clear. The ritual writing in Chi Zijian's novels is organically involved in the plot development and tenor construction of the novel, and contains profound connotation. First, the accumulation of rich collective memory, deepen the national cultural identity, help the imagination of the national community. Secondly, we will play the northeastern "local knowledge" and pick up the marginal ethnic groups, production mode, history and customs culture, so as to achieve cultural breakout in the context of globalization. Again, the mystery of the ritual of revival of mythology, religion, custom and ritual is expressed in question and Reflection on modernity. Finally, sneak into the interior of Harbin's urban life, trace back to the motley complex history of the modern city full of exotic sentiment, and see the Harbin people's yearning for religious belief, and the persistence of the true and tough urban quality. Ceremony in Chi Zijian's novel writing, described different realism and daily life, forming a "ceremony" aesthetic charm. The ceremony extends the aesthetic process of text, achieve the aesthetic effect of defamiliarization; the mysterious and solemn atmosphere, the realization of common rejection; convert to the spirit of faith, the folk and traditional culture attention, embodies Chi Zijian's creative orientation turns inward. However, despite Chi Zijian's insistence on traditional localization of the nation in the context of modern globalization, it is inevitably influenced by the atmosphere of the times and caters to the consumption demand. In the consumer culture to resist the invasion, poetic, return original ecological Utopia and defects in Chi Zijian's novel writing ceremony looming materialistic, spectacle, carve the attached.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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