民族化视域下上海“海岛话剧”研究

发布时间：2017-12-31 03:11

本文关键词：民族化视域下上海“海岛话剧”研究　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：论文以民族化为切入点,对上海孤岛时期的话剧创作进行整体性的研究,考察孤岛时期话剧的创作风貌,凸显其独特的文化品质与艺术价值。首先,论文从话剧内容与主题切入,认为上海孤岛话剧在特定的租界文化语境中走向民族化是在政治、市场和艺术合力下的自觉选择,弘扬民族意识与展现现代人生两方面题材使孤岛话剧创作体现出鲜明的民族化倾向与价值取向。上海孤岛时期的话剧创作,将展现民族意识和审视现代人生紧密结合在一起,构成孤岛话剧民族化书写的基本主题,并在租界特殊的社会文化语境中自觉建构自身独立品格。孤岛话剧艺术自觉承担起民族救亡的历史使命,通过演绎历史题材弘扬民族意识,或在日常生活书写中展现民族现实与审视现代人生;题材处理上则偏重于娱乐化表达。其次,论文从诗性建构、人物塑造和传奇叙事三方面探讨上海孤岛时期的话剧在艺术上的民族化诉求。孤岛话剧在深入把握、真实反映现代中国民族现实的基础上,深入中国传统戏剧的艺术精髓,继承其美学原则和艺术精神,创造性地建构了符合民族现实内容需要的艺术手法。孤岛话剧运用意象以及话剧加唱的艺术表现手法,在规定情景中以类型化与程式化塑造话剧人物,并设置富有传奇性的故事情节,融入神话和民间传说,共同建构民众喜闻乐见并富有民族特色的话剧艺术样式。最后,论文将孤岛话剧置身于中国话剧的民族化发展历程中,在民族化视域下探讨孤岛话剧创作的得失。真正的话剧民族化不仅在于对中国传统艺术的借鉴与继承,还应与现代化相结合更好地创建现代民族话剧。孤岛时期的话剧创作在对民族现实的书写中自觉地传达现代意识,融入市民意识,积极寻求自身独特的民族化品格,并在民族化视域下进一步分析孤岛话剧在政治与市场的二维张力中出现的失衡现象,探讨了其对创建现代民族话剧的启示意义。
[Abstract]:The nationalization as a starting point for research on the whole of Shanghai island during the period of drama creation, study the island during the creation of the drama style, highlighting its unique cultural qualities and artistic value. First of all, from the drama content and theme starting, think Shanghai Island drama in a specific cultural context to the nationalization of the concession in politics, art and market force's conscious choice, promote national consciousness and show two aspects of modern life make the island theme drama creation reflects the ethnic tendency and value orientation is distinct. The Shanghai island during the period of drama creation, will show the national consciousness and modern life closely together, constitute the basic theme of national drama Island writing, and in their special social and cultural context consciously construct their own independent character. Island drama consciously assume the national salvation history. Life, through the interpretation of historical themes to carry forward the national consciousness, or to show national reality in the daily life writing and modern life theme; processing emphasis on entertainment. Secondly, from the poetic construction, characters and legendary narrative in three areas of the Shanghai island during the period of drama in the art of national aspirations. Island the drama in grasping the foundation of modern China, reflect the national reality, deeply Chinese traditional drama art essence, inherit its aesthetic principles and artistic spirit, creatively constructed to conform to the national reality art. By means of artistic expression of image Island drama and drama with song, in the scene with the type specified with the stylized shape drama characters, and set the legendary story, into the mythology and folklore, Co Construction of people loved and full of national characteristics The color of drama art style. Finally, the national development process in the Chinese Island drama drama, in view of the island nation. The real drama and drama nationalization is not only the reference and inheritance of China traditional art and modern, should also combine better to create a modern national drama. The island during the period of drama creation in writing to the national reality consciously convey the modern consciousness into the public consciousness, actively seek their own unique national character, and further analysis of the unbalance phenomenon of two-dimensional tension in the political and market Island drama in the national perspective, to explore the creation of the modern national drama enlightenment.

【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.34

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