“文变系乎媒介”:互联网与新世纪的文艺思潮

发布时间：2017-12-31 23:36

本文关键词：“文变系乎媒介”:互联网与新世纪的文艺思潮　出处：《社会科学辑刊》2017年05期 　论文类型：期刊论文

更多相关文章： 互联网 文艺思潮 世俗化 多样化

【摘要】："文变系乎媒介"。媒介不只是文艺思潮传输的渠道和载体,它还以"提供尺度""创造环境"的方式对成长于斯、生存于斯的文艺思潮之总体面貌、根本特征、发展走向等进行全面构型,这是麦克卢汉"文艺媒介学"思想带给我们的启发。新世纪以来,作为一种基础性构型力量,互联网正在并将深刻改变人们的思维观念和生活方式,它不仅为包括文艺思潮在内的各种社会文化思潮提供新的滋生平台和传播阵地,而且深刻制约着各种社会文化思潮的样式样态。从精英化到世俗化的整体转向与互联网对媒介垄断的打破密切相关。互联网对新世纪以来各种具体文艺思潮和作为其个案的文艺事件进行型塑。作为载体、渠道的互联网又使文艺思潮呈现出"多样化"和"全球性"特征。在互联网时代,要在文艺思潮"世俗化"大潮中抵制文艺"低俗化"倾向,在提倡文艺"多样化"过程中批驳"指导思想多元化"谬误,在文艺"全球性"传播中保持民族文艺特色、防范文化风险,就必须用马克思主义实现对多样化文艺思潮的有效引领。
[Abstract]:The coefficient of variation between the media. The media is not only literary thought transmission channel and the carrier, it is to "provide the" scale "to create an environment to the growth in Sri Lanka, where the overall survival literature features, basic features, development trend of a comprehensive configuration, this is Mcluhan's" literary media "thought to our inspiration. Since the new century, as a basic configuration of power, the Internet is and will profoundly change people's thinking and way of life, it is not only for the new breeding platform and spread positions for a variety of social and cultural trends, including literature, but also restricts the style form various social and cultural trends. From the elite to the whole secular to break with the Internet of media monopoly is closely related to the Internet. Since the new century, a variety of specific literary trends and literary events as a case. Line type plastic. As the carrier of the Internet channel and the literary trend showing a "diversification" and "global" characteristics. In the Internet era, the literary thought of "secular" tide against literature "vulgarization tendency, advocate" diversity "in the process of literary criticism of the guiding ideology of" diversification "fallacy, maintain the national art characteristics in the" global "spread, prevention of cultural risk, we must effectively lead to the diversification of literary thoughts in the Marx doctrine.

【作者单位】：中国人民大学文学院;
【基金】：中国社会科学院创新工程重大项目《中华思想通史》文艺思想编中国人民大学科学研究基金项目(中央高校基本科研业务费专项资金资助项目)(17XNF035)
【分类号】：I206.7
【正文快照】： 如果我们承认以“地球村”概念而享誉全球的加拿大媒介思想家马歇尔·麦克卢汉之媒介学第一原理——“媒介即讯息”——所言不虚,而“讯息”在麦克卢汉那里又可同位置换为“尺度”“环境”之语(1),那么,对包括文艺思潮在内的社会文化思潮而言,传统意义上仅被视作信息载体的媒

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