张承志与新时期中国文学思潮

发布时间：2018-01-02 03:20

  本文关键词：张承志与新时期中国文学思潮　出处：《福建师范大学》2016年博士论文　论文类型：学位论文

  更多相关文章： 张承志 知青文学创作思潮 寻根文学思潮 世俗化文学思潮

【摘要】：目前的张承志研究更多地是从审美内部展开的作家研究,缺乏从时代文学思潮的语境范畴来展开对张承志各时期文学行为的论述。因此,本文以张承志与新时期中国文学思潮为题,试图探索少数民族作家与新时期中国当代文学的关系。论文分为“绪论”、三章内容以及“余论“。“绪论”部分主要是揭示有关张承志与新时期中国文学思潮的关系研究的现状,指出本文的研究价值意义与研究思路。第一章探究的是张承志与“知青文学创作思潮”的关系。该章主要通过将张承志与同时期知青作家相比较,从题材选择与情感倚重、“感知自然”与情感超越、“母爱”书写与底层崇拜等三个方面来论述张承志与文学思潮既同构又超越的关系。此外还对张承志的知青审美视域与反思视野予以研究,进一步把握作家与文学思潮的关系。第二章探究的是张承志与“寻根文学”思潮的关系,主要从被唤醒的民族意识、“寻根”定位、“寻根”的审美表达、“寻根”的极端化实践等方面来加以分析。张承志“寻根”的审美表达主要是指他在多重比较中完成的族裔认同以及对“现代性”的另类批判,张承志“寻根”的极端化实践是指他对于宗教文化的唯一化确认以及理想焦虑。第三章论述张承志与1990年代“世俗化文学思潮”的关系。在这章中,先是把握张承志与文学思潮的对抗关系,从“对抗”的对象、资源与方式等方面予以针对性审视。接着,从弃绝体制与“自由”的限度来“还原”张承志在“世俗化文学思潮”中的无奈性与被动性。“余论”部分进一步总结了论文的核心观点,并指出张承志在新时期中国文学思潮中的存在状态代表了一部分知识分子在新时期中国文学发展过程中的处境悖论。
[Abstract]:The current study of Zhang Chengzhi is more from the aesthetic interior of the writer study, the lack of literary thoughts from the era context to carry out the discussion of the literary behavior of the various periods of Zhang Chengzhi. Based on Zhang Chengzhi and the trend of Chinese literature in the new period, this paper attempts to explore the relationship between minority writers and contemporary Chinese literature in the new era. The main part of the introduction is to reveal the current situation of the research on the relationship between Zhang Chengzhi and the trend of Chinese literature in the new period. The first chapter explores the relationship between Zhang Chengzhi and the "ideological trend of Literary creation of educated Youth", which is mainly by comparing Zhang Chengzhi with the writers of educated youth in the same period. From the subject selection and emotional dependence, "perception of nature" and emotional transcendence. This paper discusses the relationship between Zhang Chengzhi and literary trend of thought from the three aspects of "maternal love" writing and worshiping at the bottom. In addition, it studies the aesthetic horizon and reflective vision of Zhang Chengzhi's educated youth. The second chapter explores the relationship between Zhang Chengzhi and the ideological trend of "Root-seeking Literature", mainly from the awakened national consciousness, the orientation of "Root-seeking", and the aesthetic expression of "Root-seeking". The aesthetic expression of Zhang Chengzhi's "seeking root" mainly refers to the ethnic identity he completed in multiple comparisons and the alternative criticism of "modernity". Zhang Chengzhi's extreme practice of "seeking roots" refers to his unique confirmation of religious culture and his anxiety of ideal. Chapter three discusses the relationship between Zhang Chengzhi and the "secularized literary trend of thought" in the 1990s. First of all, we should grasp the antagonistic relationship between Zhang Chengzhi and literary ideological trend, and examine the object, resources and methods of "confrontation". From the limit of abandoning system and "freedom" to "restore" Zhang Chengzhi's helplessness and passivity in the trend of thought of secularized literature. It is pointed out that the existence of Zhang Chengzhi in the trend of thought of Chinese literature in the new period represents the paradox of the situation of some intellectuals in the development of Chinese literature in the new period.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I206.7
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本文编号：1367451