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唐代御史任职资格中的文学因素

发布时间:2018-01-02 13:02

  本文关键词:唐代御史任职资格中的文学因素 出处:《重庆邮电大学学报(社会科学版)》2017年05期  论文类型:期刊论文


  更多相关文章: 唐代 唐代御史 任职资格 文学因素


【摘要】:唐代御史制度是一个注重文学的职官体系,《文苑英华》《全唐文》中收录的御史授职制诰达百多篇,显示出唐王朝对御史任职资格中文学的基本要求。唐代御史的任职制诰中主要包含好儒、尚文、吏能、重德四个方面的标准:儒求经济、文尚词藻、才重吏能、行崇正直,它全方位考察文人在文、儒、吏、行、法诸方面的综合素质,赋予了唐代文学和文学家御史重大的政治使命和责任。唐代御史任职资格中强调的"文学",并非单纯意义上的文学艺术,而是对传统士人知识结构的全面要求,是唐代文人人格修养的综合体现和行政能力的具体实践。它不仅引导唐代文人的为学、做人的方向,确立文人的政治奋斗目标,而且还使其文学创作、文学理论更契合于现实人生而大放光彩。
[Abstract]:The system of imperial history in Tang Dynasty is an official system that pays much attention to literature. The Imperial History Letters Patent collected in "Wenyuan Yinghua" and "all Tang language" has reached more than 100 articles. It shows the basic requirements of the Tang Dynasty on the Chinese study of imperial history qualifications. The official Letters Patent of the Tang Dynasty mainly includes the four standards of good Confucianism, Shang Wen, officials ability, and respect for morality: Confucianism seeks economy, literature still words, only officials can be important. It examines the comprehensive qualities of literati in the aspects of literature, Confucianism, officials, conduct and law. It has given great political mission and responsibility to the literature and litterateur of the Tang Dynasty. The "literature" emphasized in the qualification of imperial history in the Tang Dynasty is not literature and art in the pure sense. It is the comprehensive embodiment of the personality accomplishment and the concrete practice of the administrative ability of the literati in the Tang Dynasty, which not only guides the literati in the Tang Dynasty to learn for themselves, but also the direction of being a man. To establish the political goal of the literati, and also to make their literary creation, literary theory more in line with the reality of life and shine brilliantly.
【作者单位】: 天水师范学院陇右文化研究中心;
【基金】:国家社会科学基金项目:陇右地方文献与中国文学地图的重绘(07CZW019)
【分类号】:I206.2;K242
【正文快照】: 唐代政治意义上的文学,概括地讲是一种综合了儒学、吏能、品德、文辞等诸多因素的文学实体,它既肯定、要求文学的独特性,又强调、鼓励文学的政治性。所以唐代文学既非汉代社会学术与文章合一的状态,也未走向六朝以来“竞一韵之奇、争一字之巧”之局面;而是在对六朝文风的“扬

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