“在满”朝鲜人散文文学后殖民主义研究

发布时间：2018-01-03 17:21

本文关键词：“在满”朝鲜人散文文学后殖民主义研究　出处：《延边大学》2017年博士论文　论文类型：学位论文

【摘要】：作为现代朝鲜民族离散文学的一个分支,解放前"在满"朝鲜人文学,一同解放后中国朝鲜族文学,具有宝贵的文献意义和美学价值。有关"在满"朝鲜人文学的研究,方兴于上个世纪80年代,其中最具代表性的有中国的权哲、崔三龙、金东勋、金宽雄、金虎雄、吴相顺、李光一、张春植等,以及日本的大村益夫,韩国的吴养镐、尹永川、蔡勋、张伯逸、郑德俊等学者的相关论著和论文。但是到目前为止,这些研究大多集中于小说和诗歌,对于散文的研究尚未达到具体化、系统化的阶段,研究成果查之甚少。这种局面,源于散文难登高雅之堂而排斥在主流研究范畴之外的传统文学观念。即便如此,近几年先后出版了由权哲、崔三龙等收集整理的解放前"在满"朝鲜人散文集《中国朝鲜民族文学大系:综合散文1、2》及《满洲纪行文》等文集和作品解析集,为"在满"朝鲜人散文研究提供了基础资料。散文的文体特性是能够在简短的篇幅内,通过题材的多样性,反映出作者真实的经历和内心感受,从而快速有效地呈现时代的变化和民众的情感。新历史主义主张历史是由充满断层的各种论述所构成,而透过各种论述可以去还原历史,这种论述,由当时的时间、地点、观念所建构。因此,散文比起充满想象和虚构的小说和诗歌,在还原现实性方面,更具有历史价值和美学价值。根据上述理论观点,本文首先运用新历史主义研究方法,在收集、整理、精读"在满"朝鲜人散文文本的基础上,力求阐释散文作品中呈现出的伪满洲国的本质和实像。再以比较文学形象学的视角和方法,通过具体作品的分析解读,探讨并总结了"满洲"的地理、社会和"国体"形象。相关时期的不少作品虽然看似赞美"伪满洲国国策",但其中也包含了对现实的批判意识,如描述"春"的一系列作品,在谈及"满洲新形象"和对"春"的期待之时,也将春天万物苏醒的喜悦与日本殖民主义的横暴、伪政府的不确定性,放在了对峙的位置,以此表达了作者对现实的不满和批判意识。其次,本文对"在满"朝鲜人的"满洲"认识进行了逐一阐释。对"满洲"的正确认识应来自对殖民地近代的犀利的洞察和批判力,本文就伪满洲国所标榜的"王道乐土"、"五族协和"的虚与实,分析了该时期散文作品的思想倾向性和作者意识等问题,由此发现该时期的部分散文虽然沉迷于伪满洲国的虚像,而表现出对殖民统治的认同和赞美,但大部分作品在抒写过程中,又将"满洲国"看作是近代性和殖民性共存的空间,进而对此加以批判;同时对在"满洲"地区的抗日运动和殉国烈士的爱国爱民主义及献身精神,表示了由衷的敬仰和赞美。最后,本文对伪满洲国体制下的后殖民主义抵抗意识,做了详实的分析。运用后殖民主义写作方式和混种性、两价性理论,以金昌杰、姜敬爱、白石、玄卿骏等作家为研究重点,探讨了其作品中所呈现的顺从的表层意义和内在抵抗的深层意义。这个时期因文字检阅严苛,大部分作家为了掩人耳目,不得不采取了表面的顺从和内在的抵抗这种后殖民主义的写作策略。综上所述,本文为了对"在满"朝鲜人文学进行总体评价,主要围绕满洲形象的虚与实、"在满"朝鲜人作家对"满洲国"的殖民地近代认识,以及后殖民主义写作策略,进行了具有一定的学术意义和参考价值的重构和阐明。
[Abstract]:As a branch of modern Korean Diaspora literature, before liberation "in full" North Korean literature humanities, Chinese together after the liberation, has the literature significance and aesthetic value. The valuable in the study of full Korean humanities, Fangxing in the last century in 80s, the most representative has the right to zhe China, Cui dragonite, Jin Dongxun, Kim Kuanxiong, Kim Huxiong, Wu Xiangshun, Li Guang, Zhang Chunzhi, and Oomura Masuo of Japan, South Korea, Wu Yanghao, Yin Yongchuan, Cai Xun, Zhang Boyi, Zheng Dejun and other scholars of the relevant works and papers. But so far, most of these studies focus on fiction and poetry, prose for the study has not yet reached the specific and systematic stage, little research achievements. This situation, due to difficult climbing and Yazhitang prose excluded from the mainstream of the traditional literary category concept. Even so, in recent years Published by the right philosophy, Cui Sanlong collected before liberation "in full" Korean prose collection "the great national literature department of North Korea China: Prose 1,2> and < Manchuria > travel writing papers and works analysis set," in full "Korean prose research provides the basic information of stylistic features of prose is. In the short space, through a variety of topics, reflecting the author's real experience and feelings, so as to effectively present the changes of the times and people's emotions. New Historicism history is composed of paper full of faults, and through all the discussion can to restore the history, this paper, by the time, place, the concept of construction. Therefore, compared to the prose is full of imagination and fiction and poetry, in the reduction of reality, has the historical value and aesthetic value. Based on the above theory, this paper uses New historicism research methods in the collection, collation, reading "in full" Korean prose text, to show real nature and interpretation of the prose works in Manchuria of China. The pseudo perspective and methods of the image of comparative literature, through the analysis of specific works read, discuss and sum up "" Manchuria geography, society and polity "image. Many related works although seemingly praise" the puppet Manchuria government policy, but which also contains a critique of reality consciousness, as described in "a series of works on the spring", "the new image" and the "Manchuria spring" look at also, Spring Awakening joy and Japanese colonial violence, the puppet government in the uncertainty on the confrontation between the position of the author to express dissatisfaction with reality and critical consciousness. Secondly, this paper illustrates the understanding of "in full" Korean "Manchuria" to "full. Delta "correct understanding should come from the colonial times sharp insight and criticism, the puppet Manchuria government advertised" oodoorakudo "," five nationalities "reality, analysis of the prose works during this period, ideological tendency and the consciousness of the author and other issues, which we found that although some prose in this period indulge in puppet Manchuria's virtual image, showing the colonial rule of recognition and praise, but most of the works in the writing process, and the" Manchuria country "as the coexistence of modern and colonial space, and then to criticism; of the Anti Japanese movement and martyrs in the" Manchuria "area of patriotism nationalism and the spirit of devotion, expressed sincere admiration and praise. Finally, the post colonialism of the puppet Manchuria government under the system of resistance consciousness, do a detailed analysis. The use of postcolonial writing and mixed, two valence theory, Jin Changjie, Jiang, Whitehead, Xuan Qingjun and other writers as the research focus, discusses the deep meaning of his works the obedience of the surface meaning and internal resistance. This text review period as a result of harsh, most writers in order to deceive the public, to take the writing strategies of colonialism surface obedience and intrinsic resistance against this. In summary, in order to "conduct overall evaluation in full Korean humanities, mainly around the image of Manchuria and North Korea," in full "writers of" Manchuria country "colonial modern understanding and postcolonial writing strategies, the reconstruction has certain academic significance and reference value and clarify.

【学位授予单位】：延边大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：I207.6

【相似文献】