论格非“江南三部曲”的历史叙事

发布时间：2018-01-08 03:16

本文关键词：论格非“江南三部曲”的历史叙事　出处：《青岛大学》2017年硕士论文　论文类型：学位论文

【摘要】：“江南三部曲”是格非历经十七年创作完成的长篇叙事作品,包含《人面桃花》《山河入梦》《春尽江南》,讲述了百年中国的历史图景下,一个家族三代人的个体历史境遇与精神衍变,展现了波澜壮阔的历史画面与知识分子的时代生存困境。本文以历史叙事为角度切入三部曲,探讨格非对于历史与现实问题的深切思索,以及在作品中表现出的文学抱负和史诗品格。本论文共分五个部分,绪论部分以中国的史传文学传统为起点,探讨历史叙事的发生发展,引入格非的历史叙事,并对“江南三部曲”的研究现状做出分析,指出格非“江南三部曲”历史叙事研究的意义与价值所在。第一章梳理三部曲的创作发生,主要从历史叙事的话语建构,格非小说中历史意识的演变发展,以及知识分子的历史反思视角在文本中的显现上做出论述。第二章阐述三部曲历史叙事所涉及的主题话语,包括家族历史与乌托邦实践的溃败,知识分子的百年精神史,以及在历史困境中的坚守与超越。第三章从意象与隐喻、重复与循环两个方面论述格非在历史叙事时采用的形式策略。结语部分则简述格非试图从历史走向现实的努力,以及他的这种尝试对开拓当代中国文学的叙事新可能的意义。
[Abstract]:The trilogy of Jiangnan is a long narrative work written by Ge Fei after 17 years. It includes "Peach Blossom on the Human face" and "the Dream of Mountain and River entering the South of the Yangtze River", which narrates the history of China for a hundred years. The individual historical circumstances and spiritual evolution of a family of three generations unfold the magnificent historical picture and the times survival predicament of intellectuals. This article cuts into the trilogy from the angle of historical narration. This paper is divided into five parts, the introduction of which starts with the Chinese tradition of history and biography literature, and discusses Ge Fei's deep thinking on historical and realistic problems, as well as his literary ambition and epic character in his works. This paper discusses the occurrence and development of historical narration, introduces Ge Fei's historical narrative, and makes an analysis of the present research situation of the trilogy of Jiangnan. The author points out the significance and value of the historical narrative research of Ge Fei's "Jiangnan Trilogy". The first chapter combs the creation of trilogy mainly from the discourse construction of historical narration and the evolution and development of historical consciousness in Ge Fei's novels. The second chapter expounds the theme of trilogy historical narration, including the family history and the collapse of Utopia practice. The century-old spiritual history of intellectuals, as well as their adherence and transcendence in the historical predicament. Chapter three deals with images and metaphors. Repetition and circulation discuss Ge Fei's formal strategy in historical narration, while the conclusion part gives a brief account of Ge Fei's efforts to move from history to reality. And his attempt to explore the narrative of contemporary Chinese literature possible significance.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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