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中越诗歌关系视野下的阮保诗歌创作考论

发布时间:2018-01-11 12:04

  本文关键词:中越诗歌关系视野下的阮保诗歌创作考论 出处:《西南民族大学学报(人文社科版)》2017年08期  论文类型:期刊论文


  更多相关文章: 阮保 应制诗 送别诗 虚拟 唐诗


【摘要】:阮保是在以推行汉文化为实质的科举制度下成长起来的一位具有重要个案意义的越南诗人。他留下了越南创作时代最早的应制组诗和七言应制排律诗,他的应制组诗风格清婉、用典丰富;应制排律诗具有初唐排律声格流丽、从容颂美的台阁风范。阮保同时还是越南早期留存送别诗最多的诗人,他的送别诗偏离了重在抒发离情别意的古典汉诗传统,其功能由抒情转为交际,造成了送别双方在情感交流上的疏离。阮保的诗歌创作深受中国古典诗学传统的影响,具体表现为:直接将唐诗移植到自己的诗歌中、化用和借鉴唐诗名句、以唐人名句为诗题和主题进行吟咏;应制寓目诗和送别诗沿袭中国诗歌的结构模式;根据中国古典诗歌的阅读体验和生活想象而进行虚拟化创作。通过阮保的创作可以看到,越南诗人在学习中国古典诗歌的过程中,由于对传统诗歌惯例、法则和标准的选择,推动了越南汉诗在诗歌功能上从抒情转化为应用。
[Abstract]:Nguyen Pao is a Vietnamese poet with important case significance who grew up under the imperial examination system with the essence of carrying out the Han culture. He left the earliest composing poems and seven-character poems in the period of Vietnamese creation. His style of composing poems is clear and euphemism, and his usage is rich; In the early Tang Dynasty, Ruan Bao was also the poet who had the most farewell poems in Vietnam. His farewell poem deviates from the tradition of classical Chinese poetry, whose function is from lyric to social. Ruan Bao's poetry creation is deeply influenced by the tradition of Chinese classical poetics, which shows as follows: directly transplanting Tang poetry to his own poetry, and using Tang poem famous sentences for reference. Taking the famous sentences of Tang Dynasty as the title and theme of poems; The structure pattern of Chinese poetry should be followed; According to the reading experience of Chinese classical poetry and imagination of life and virtual creation. Through the creation of Nguyen Pao can be seen that Vietnamese poets in the process of learning Chinese classical poetry due to the tradition of traditional poetry. The choice of rules and standards promotes the function of Vietnamese Chinese poetry from lyricism to application.
【作者单位】: 西南交通大学人文学院中文系;
【基金】:北京外国语大学中国文化走出去协同创新中心项目“中国古典诗歌的越南接受史研究”(XTCX150618) 四川省社会科学“十三五”规划项目“唐诗对越南古典诗歌传统形成的影响”(SCB098)阶段性成果
【分类号】:I207.22
【正文快照】: 越南汉诗是在中国古典诗歌的影响下发展起来的,它不仅反映了越南古代的文学成就,也反映了中越古代文学存在着密切关系。然而目前学术界对越南汉诗的研究尽管成果丰富,却仍多停留在概括式和全景式的总体观照,对于越南汉诗史上重要诗人的个案研究还处于草莱荒芜之境,这势必影响

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