代际冲突中当代台湾地区诗人的中华族裔意识论

发布时间：2018-01-13 17:27

本文关键词：代际冲突中当代台湾地区诗人的中华族裔意识论　出处：《社会科学战线》2017年08期 　论文类型：期刊论文

【摘要】：在当代台湾地区诗歌这一错综复杂的权力场域中,围绕着台湾现代化进程中西方与中国关系的问题,不同时期、不同地理出身的台湾诗人展开了一次又一次的争夺符号权力的斗争。20世纪50—60年代,纪弦等一些台湾前行代外省诗人在极为推崇诗歌的"超现实性""独创性"和"纯粹性"的特性的同时,也使台湾现代主义诗歌走入了一条重视西方文化,忽视现实、忽视民族文化的道路。由此,台湾新诗场域中的西方文化资本与中国文化资本的拥有者之间的不平等产生了。而正是这种权力的压抑性,导致了20世纪70年代台湾新世代诗人对它的质疑与竞争权力模式的产生。也就是说,正是西方现代性中暗含的东方主义意识和台湾一些前行代诗歌中的自我东方主义倾向,激发了台湾新世代诗人强烈的民族情感。一般认为,20世纪70年代末期以来,台湾新世代本土作家总体上由推崇乡土意识转向推崇台湾意识。而事实上,20世纪70年代末期以来台湾新世代本土诗人的民族认同虽然出现过偏离和困惑的问题,但大体上而言,它是循着由感性认同向感性与理性结合的认同轨迹和方向发展的。
[Abstract]:In the complex field of power of contemporary Taiwan poetry, the relationship between the West and China in the process of modernization of Taiwan has been discussed in different periods. Taiwanese poets of different geographical backgrounds fought again and again for symbolic power. Some Taiwanese poets, such as Ji Xuan, highly praised the "surrealism" and "originality" and "purity" of poetry, and at the same time made Taiwan's modernist poetry pay more attention to western culture. Therefore, the inequality between the western cultural capital and the owner of the Chinese cultural capital in the new poetry field of Taiwan has been created, which is precisely the repression of this kind of power. In 1970s, the new generation of poets in Taiwan questioned it and produced the model of competitive power. That is to say. It is the Orientalism consciousness implied in the western modernity and the self-orientalism tendency in some previous generations of poetry in Taiwan, which has aroused the strong national emotion of the new generation poets in Taiwan. Since the end of 1970s, Taiwan's new generation of local writers have generally changed from advocating local consciousness to advocating Taiwan consciousness. Since the end of 1970s, the national identity of Taiwan's new generation of local poets has been deviated and confused, but on the whole. It follows the path and direction of identity from perceptual identity to the combination of sensibility and rationality.
【作者单位】：武汉大学文学院;
【基金】：国家社会科学基金项目(14BZW131)
【分类号】：I206.7
【正文快照】： 谈及当代台湾诗人的民族认同,就不能不谈及现代性的问题,就不能不谈及自我与他者这一中国与西方的问题。这是因为,一方面,当代台湾诗人的民族认同不能凭空虚构,而是建构在当代台湾的现代化进程之中。另一方面,作为一种世代性意识,当代台湾诗人的民族认同又不可能是单一诗人个

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