六朝自然现象诗研究

发布时间：2018-01-13 18:23

本文关键词：六朝自然现象诗研究　出处：《武汉大学》2017年硕士论文　论文类型：学位论文

更多相关文章： 自然现象 六朝诗歌 审美观 自然观

【摘要】：自然界的物象自古以来便是诗人们诗歌创作的取象源泉。属于自然现象的风雨雷电、云霜雾雪,不仅为人们带来美的感受,更与人们的生活、生产息息相关。本文以逯钦立先生辑校的《先秦汉魏晋南北朝诗》为研究底本,对描写风、雨、霁、雪、霰、云、霜、露、雾、霞、雷、雹等自然现象的诗歌进行审美研究,并由点及面,从六朝自然现象诗出发,探讨六朝时期的文学风尚和文人审美观念。本文共分为五个部分:首先,"绪论"部分选定六朝自然现象诗作为论文研究对象,明确研究目的:藉由对166首自然现象诗的内容分析,探讨六朝文人在诗歌中的艺术描写与情感表达,并挖掘六朝时期自觉的、审美的自然观念和它对文人歌咏自然现象进行诗歌创作的影响。第一章为"六朝前自然现象诗发展概述",通过对《诗经》、楚辞以及两汉文学作品中出现的风雨云雪等自然现象语词进行归纳,了解自然现象诗在先秦两汉时期的文学流变,得出结论:六朝前并无以自然现象为审美主体进而歌之咏之的诗作,而是把风雨云雪等自然现象作为意象使用,或托物言志,或借言书怀。第二章为"六朝自然现象诗类型分析",此部分通过对诗歌原典的解读,具体地分析了六朝咏风诗、咏雨诗、咏雪诗、咏云诗的内容表达与写作技巧,为第三章分析六朝自然现象诗的情感意涵和审美意趣做铺垫。第三章为"六朝自然现象诗内涵分析",共分为三小节,分别从情感、文化、审美的角度对六朝自然现象诗进行多维度分析,以期更全面地了解自然现象诗。最后为"结论",综合各章研究心得,并简述本文的研究限制。
[Abstract]:The physical image of nature has been the source of poets' poetry since ancient times. The wind, rain, lightning, clouds, frost and snow, which belong to the natural phenomenon, not only bring people the feeling of beauty, but also the life of people. Production is closely related. This paper based on Lu Qinghan, Wei, Jin, Southern and Northern dynasties poems, describes wind, rain, Ji, snow, graupel, cloud, frost, dew, fog, Xia, thunder. Hailstorm and other natural phenomena of poetry aesthetic research, and from the point and surface, from the six dynasties natural phenomenon poetry, to explore the six dynasties literary fashion and literati aesthetic concept. This paper is divided into five parts: first. "introduction" selected the six dynasties natural phenomenon poetry as the research object, clear research purpose: by analyzing 166 poems of natural phenomenon, this paper probes into the artistic description and emotional expression of the six dynasties literati in their poems. And excavates the six dynasties period conscious, the esthetic natural idea and it to the literati singing the natural phenomenon to carry on the poetry creation influence. The first chapter is "the six dynasties before the natural phenomenon poem development outline", through the "Book of songs". The ci of Chu and the words of natural phenomena such as wind and rain, cloud and snow appeared in the literary works of the Han Dynasty were summarized to understand the literary changes of the poems of natural phenomena in the pre-Qin and Han dynasties. Draw a conclusion: before the six dynasties, there was no poem about natural phenomena as the aesthetic subject and then songs, instead, the natural phenomena such as wind and rain, clouds and snow were used as images, or the objects of expression and ambition were used. The second chapter is "the six dynasties natural phenomenon poetry type analysis", this part through the interpretation of the original poetry, the specific analysis of the six dynasties poems on the wind, rain poems, poems on snow. The content expression and writing skills of the poems on the cloud lay the groundwork for the third chapter to analyze the emotional meaning and aesthetic interest of the natural phenomenon poems of the six dynasties. The third chapter is "the connotation analysis of the six dynasties' natural phenomenon poems", which is divided into three sections. From the perspective of emotion, culture and aesthetics, this paper makes a multi-dimensional analysis on the poems of natural phenomena in the six dynasties in order to understand the poems of natural phenomena in a more comprehensive way. Finally, it is "conclusion", which synthesizes the research experiences of each chapter. The limitations of this paper are also briefly described.
【学位授予单位】：武汉大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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