《格萨尔》史诗的当代传承及其文化表现形式的多样性

发布时间：2018-01-16 05:00

本文关键词：《格萨尔》史诗的当代传承及其文化表现形式的多样性　出处：《西北民族研究》2017年03期 　论文类型：期刊论文

【摘要】：在当代语境下,传唱千年的《格萨尔》史诗及其传承正在发生着各种各样的变化。除了民间艺人的口头说唱和各种版本的书面文本并存外,还有格萨尔藏戏、格萨尔唐卡、格萨尔音乐、格萨尔石刻、格萨尔"朵日玛"、格萨尔漫画、格萨尔彩塑酥油花等等。在藏族民间,《格萨尔》史诗的传播几乎影响了各种艺术门类。本文试图对《格萨尔》史诗的当代传承及其文化表现形式的多样性特征进行探讨和分析。从口头传说到书面文本再到传承形式的多样化,这不仅是选择、判断和再创造民族民间文化资源的结果,也传承了史诗蕴含的民间文化精神。当代语境下的史诗传承,也伴生着一种文化焦虑。现代性往往导致对经典的疏离和迷失,所以在纷繁复杂的形式与内容之间淘洗锤炼、重铸经典,已经成为史诗研究面临的新课题。
[Abstract]:In the contemporary context, various changes are taking place in the millennium epic and its inheritance. Besides the oral rap of folk artists and various versions of written texts, there are also Gesar Tibetan operas. Gesar Tangka, Gesar music, Gesar stone carvings, Gesar "Dorema", Gesar comics, Gesar pastry, etc. In Tibetan folk. The spread of the epic almost affects all kinds of art. This paper attempts to discuss and analyze the contemporary inheritance and cultural diversity of the epic. From oral legends to written texts. From this to the diversity of forms of inheritance. This is not only the result of choosing, judging and recreating the national folk cultural resources, but also inheriting the folk cultural spirit contained in the epic and the epic inheritance in the contemporary context. Modernity often leads to the alienation and loss of the classics, so it has become a new topic for the epic research to wash out and remodel the classics between the complicated forms and contents.
【作者单位】：中国社会科学院民族文学研究所藏文室;
【分类号】：I207.22
【正文快照】： 在当代语境中,《格萨尔》史诗的传承正在发生着各种形态的变异,作为活态史诗和民间经典,《格萨尔》史诗始终呈现出一种开放形态和未完成状态。随着语境的变化而不断改变内涵和外延,在传承和流变中不断丰富和发展,是活态史诗的本质。在不同的传承语境中不断吸纳各种民间文化资

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