论中国当代诗歌史中的“以译代作”现象（1949-1976）

发布时间：2018-01-16 08:00

本文关键词：论中国当代诗歌史中的“以译代作”现象（1949-1976）　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：“以译代作”是中国当代文学史中一种非常特殊的诗歌创作方式。它主要是指在1949——1976年间,一批写作遭遇官方严格限制或完全失去写作权利的诗人们,如郭沫若、穆旦、何其芳、冯至、施蛰存,他们以诗歌翻译代替诗歌创作来表达他们在当时的文化语境中无法表达的现实愿望和艺术诉求。诗人们通过“以译代作”的方式隐晦地突破了当时主流意识形态对文学的压制,在严酷的现实环境中艰难地发出知识分子真实的声音。也正是这种“以译代作”现象,记录了作家们在极端年代幽微的精神状态,也真实地反映了严酷环境中极为复杂的精神现象和文学现场。本文旨在以这些诗人的翻译作品为中心,探讨它们的生成与时代语境之间的关系、译本背后的潜在话语及其所包蕴的诗学意义。绪论部分,首先梳理与本论题相关的研究成果和研究现状,阐释本论文的研究方法,并说明“以译代作”现象所具备的文学史价值和意义。第一章,阐释诗人的个人经历与“以译代作”现象之间的关系,分析在特定时代语境中,“以译代作”的文本所具有的特征,并从译介学的角度阐释“以译代作”现象的学理依据和合法性。第二章,运用文本细读的方法,深入剖析诗人译者们利用翻译代替文学创作所表达出的深层内涵,分别从现实诉求和艺术主张两个方面揭示译诗背后的秘密。第三章,阐明“以译代作”现象在中国当代文学史中的诗学价值,力图展现出它的存在对于作家形象的建构和知识分子精神的承续与开拓所起到的重要作用。
[Abstract]:Translated works is a very special form of poetry creation in the history of contemporary Chinese literature. It mainly refers to the period 1949-1976. A group of poets whose writing has been severely restricted or completely deprived of their writing rights by the government, such as Guo Moruo, Mu Dan, He Qifang, He Qifang, He Qifang, is a group of poets who have completely lost their right to write. They used poetry translation instead of poetry creation to express their realistic wishes and artistic aspirations that could not be expressed in the cultural context of the time. The way in which literature was suppressed by the mainstream ideology at that time was obscurely broken through. It is this phenomenon of "translated works" that records the writers' spiritual state in the extreme times. It is also a true reflection of the extremely complex spiritual phenomena and literary scenes in the harsh environment. The purpose of this paper is to explore the relationship between the generation of these poets and the context of the times, focusing on the translated works of these poets. The introduction part firstly combs the research results and research status related to this topic and explains the research methods of this thesis. The first chapter explains the relationship between the poet's personal experience and the phenomenon of "the translation of the works", and analyzes the context of the specific era. This paper discusses the characteristics of the text and explains the theoretical basis and legitimacy of the phenomenon from the perspective of translatology. Chapter two applies the method of text careful reading to explain the theoretical basis and legitimacy of the phenomenon of "taking translation as a substitute for works". In this paper, the author deeply analyzes the deep connotation of the poets' translation instead of literary creation, and reveals the secrets behind the translation from two aspects: realistic demands and artistic propositions. Chapter three. This paper expounds the poetic value of the phenomenon of "the translation of works" in the history of contemporary Chinese literature, and tries to show the important role that its existence plays in the construction of the writer's image and the continuation and development of the intellectual spirit.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25

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