话语、空间与“中间态”的伦理叙事——小说《一句顶一万句》的电影改编

发布时间：2018-01-18 01:14

本文关键词：话语、空间与“中间态”的伦理叙事——小说《一句顶一万句》的电影改编　出处：《当代电影》2017年03期 　论文类型：期刊论文

【摘要】：正“说话”是刘震云小说关注的一个哲学命题。小说和电影中有关话语与人的主体性建构的表述主要体现在两个方面:第一,人的主体并非是先验的存在,语言建构了人的本质;第二,话语受制于社会结构,且成为划分阶层的重要指向。空间不仅被社会关系支持,也生产社会关系和被社会关系所生产。电影生产空间和消费空间的并置对立以及隐藏空间的运用,增强了影片的张力。小说的改编避免不了大众文化场域对其的规约和影响,导演在影片中运用了“中间态”的伦理叙事,“说得着”成为其伦理叙事最重要的标准。一贯穿小说《一句顶一万句》的故事主线是“找
[Abstract]:"speaking" is a philosophical proposition concerned by Liu Zhenyun's novels. The expression of discourse and human subjectivity construction in novels and movies is mainly reflected in two aspects: first, the subject of man is not a transcendental existence. Language constructs human nature; Second, discourse is subject to the social structure, and becomes an important direction of stratification. Space is not only supported by social relations. It also produces social relations and is produced by social relations. The film production space and consumption space are juxtaposed with each other and the hidden space is used. The adaptation of the novel can not avoid the regulation and influence of the mass culture field, and the director uses the ethical narration of "intermediate state" in the film. The most important standard of ethical narration is "can't tell". The main line of the story in the novel "A Top 10,000 sentence" is "find".
【作者单位】：北京大学艺术学院;
【分类号】：J905;I207.42
【正文快照】： “说话”是刘震云小说关注的一个哲学命题。小说和电影中有关话语与人的主体性建构的表述主要体现在两个方面:第一,人的主体并非是先验的存在,语言建构了人的本质;第二,话语受制于社会结构,且成为划分阶层的重要指向。空间不仅被社会关系支持,也生产社会关系和被社会关系所生

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