擘划世界:“环球揽胜图说”的拓扑空间

发布时间：2018-01-18 03:17

  本文关键词：擘划世界:“环球揽胜图说”的拓扑空间　出处：《文学评论》2017年02期 　论文类型：期刊论文

  更多相关文章： “天下” 拓扑空间 游戏 《小说林》

【摘要】：《小说林》第9期上的"环球揽胜图说"通过罗列全球"名胜",设计了一个掷骰爬格的赌博游戏。这样的文明教化,可以说形塑了清末特别的"文学经济学":借由文字的简洁表述,开启了国人繁复的现代性想象。且更重要的是,透过接引"天下"理念到游戏之中,它又极轻便地化解了现代性迟到的焦虑,帮助平衡了一般认识中总是把"世界"和殖民相挂钩的看法。"图说"实际上有说无图。图像的缺席,与其说暗示了文字中心主义的昌盛,毋宁说其另有一脉"文化的图谱"。从《小说林》的"图画"栏目、《孽海花》的帕米尔地图,再到游记,及《八十日环游记》等翻译小说,其连类所及,形成了一个拓扑空间,示现了一时心灵结构的嬗变和文化观念的杂沓。
[Abstract]:The "Universal range Rover Troupe" in issue 9 of "Fiction Forest" by listing the world's "attractions", designed a game of gambling with dice crawling. This civilisation. It can be said that the special "literary economics" of the late Qing Dynasty was shaped by the concise expression of the text, which opened up the complex modern imagination of the Chinese people, and, more importantly, through the introduction of the "world" concept into the game. It also dissolves the anxiety of the lateness of modernity very easily, and helps to balance the view that the "world" is always linked to the colonization in the general knowledge. "Tu" actually has the absence of saying no picture. Rather than hinting at the prosperity of writing centrism, it is better to say that it has another "cultural map", from "Picture" in "Fiction Forest" to "Pamir Map" in "Nie Hai Hua", and then to travel notes. And "80 days' Tour" and other translated novels, its contiguous category, formed a topological space, showing the transmutation of the temporary spiritual structure and the mixed cultural concepts.
【作者单位】： 西南交通大学人文学院;
【分类号】：I206.5
【正文快照】： 1908年3月《小说林》杂志在延刊一个月的情况下发行了第9期大增刊(1)。增刊特设短篇小说、杂录、文苑三个部分。这三个部分本是为了迎接戊申新年而设的,但因出版延期,错过了新春消闲的最好时光。不过饶是如此,编辑者们并没有修改杂志内页上的发行时间,其上依然标注了“戊申年，

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