欧阳修散文“风神”研究

发布时间：2018-01-18 08:03

本文关键词：欧阳修散文“风神”研究　出处：《福建师范大学》2016年博士论文　论文类型：学位论文

【摘要】：本文以最能代表欧阳修散文艺术特质的“六一风神”为研究对象。“六一风神”的丰富内涵深为学界所肯定,但对它的全面系统研究尚有创新空间。“风神”概念在传统“形神观”的影响下形成,为由内而外、既重形似、更重以形传神的艺术表现。它与“风骨”“神韵”范畴关系密切,又有同有异,更倾向于表现一种飘逸超凡、兴味盎然、神思绵邈的美。“六一风神”内涵主要包括感慨淋漓、悲慨呜咽,迂回曲折、抑扬跌宕,言尽意远、一唱三叹,感荡人心、移人性情等方面；它更为鲜明而集中地体现于序、记、墓志碑表、史传史论等文体中。综观欧阳修一生,“六一风神”在散文创作中由隐至显、由次要至主导,经历了四个阶段。它有着浓厚丰富的情感意蕴,发而为人生之叹、友情之慨、现实之忧与历史之思。“六一风神”的呈示,离不开其艺术表现,它与欧文的叙事性特征密切相关,有着精妙的表现手法与结构艺术,在语言与风格上也自具特点,其审美类型偏于阴柔美。在文学渊源上,它接受《史记》“史迁风神”全面而深刻的影响,是“史迁风神”在新的时代环境中的全新阐释与精彩呈现。“六一风神”的形成离不开作者屡遭挫折的仕途经历和自身刚正耿介又宽厚仁和的个性特点。其感慨淋漓、情韵悠长的艺术特点,对明代台阁体、归有光散文及清代桐城派散文创作都产生了深远的影响,这是极具魅力的中国古典韵味的散文艺术美。
[Abstract]:In this paper, the most representative of Ou Yangxiu's prose artistic characteristics of "61 Aeolus" as the research object. "The rich connotation of the deep 61 Aeolus" by the academic circle, certainly, but it is a comprehensive study on the system innovation space. "Aeolus" concept in the traditional "spirit of the concept", by inside and outside is heavy the shape of artistic expression is more important to form vivid. It and the "character" "charm" category are closely related, and is different, more inclined to show an elegant extraordinary, fascinating, spiritual perspectives of beauty. "61 Aeolus" includes emotion dripping, sad cry, with many twists and turns, iambic and say all meaning far, sigh, a sense of swing heart, shift temperament and so on; it is more distinct and embodied in order to remember, epitaph monument table, the history of history style. In Ou Yangxiu's life, "61 winds" in prose creation from implicit to Obviously, from minor to dominant, has gone through four stages. It has a strong emotional implication rich, but for the life of sigh, friendship and generous, realistic concern and thought of history. "In 61, Aeolus" cannot do without its artistic expression, narrative features of it and Erwin closely related to the subtle expression and structure in art, language and style also has its aesthetic characteristics, types of partial to feminine beauty. In the literature history, "history records it accepts < > move Aeolus" comprehensive and profound influence, is the new interpretation of the history of migration of Aeolus "in the new era and the wonderful show." 61 Aeolus "cannot do without the characteristics of repeated setbacks of his experience and their own upright and generous Renhe. The founder of emotion dripping, artistic features of the Ming Dynasty Qingyun long, taigeti, guiyouguang prose and prose creation in Qing Dynasty of Tongcheng school have The profound influence, this is the charming Chinese classical charm prose art beauty.

【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I207.62

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