魏晋南北朝诗歌中的“竹”意象及其诗学意义

发布时间：2018-02-03 10:02

本文关键词： 魏晋南北朝诗歌竹意象文学自觉诗学意义　出处：《云南社会科学》2017年02期 　论文类型：期刊论文

【摘要】：“竹”是魏晋南北朝诗歌中一个常见的意象,它可以分为比德之竹、乐器之竹、闺怨之竹、隐逸之竹等四种类型。这一时期“竹”意象的形成有多重原因,包括玄学的影响、意象理论的出现、道教和佛教的兴起、自然环境的变化等。“竹”意象体现在文学的自觉时代诗学转向的新特点。研究魏晋南北朝诗歌中的竹意象及其诗学意义,有助于深入认识传统美学意象生成与演化的内在机制,理解文艺发展与政治、哲学、宗教、经济等因素的复杂联系。
[Abstract]:Bamboo "is a common image in the poetry of Wei, Jin and Southern and Northern dynasties. It can be divided into four types: bamboo of Bede, bamboo of musical instrument, bamboo of boudoir and bamboo of seclusion. Including the influence of metaphysics, the appearance of image theory, the rise of Taoism and Buddhism. The change of natural environment and so on. The image of "bamboo" is reflected in the new characteristics of poetics turn in the conscious times of literature. The study of bamboo image and its poetic significance in the poetry of Wei, Jin and Southern and Northern dynasties. It is helpful to understand the internal mechanism of the formation and evolution of traditional aesthetic images, and to understand the complex relationship between the development of literature and art and the factors such as politics, philosophy, religion, economy and so on.
【作者单位】：中央党校文史部;
【分类号】：I207.22
【正文快照】： (1)以往对“竹”意象的研究已取得了一些成绩,如雷晓:《浅谈唐诗中竹意象的出世与入世》,《文化研究》2008年第2期;马利文:《唐代咏竹诗研究》,南京师范大学2008届硕士生学位论文;张晓凤:《论王安石诗中的“松”“竹”意象》,《现代语文》2015年第8期;林欢:《墨中竹——故宫藏

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