类型学视野下小说类型的正体与变体

发布时间：2018-02-04 16:47

本文关键词： 小说类型学叙事语法正体变体　出处：《当代文坛》2017年05期 　论文类型：期刊论文

【摘要】：现代小说类型学视域下,正体和变体是一对富有辩证关系的范畴。通过对二者的比较研究,可以把小说类型学的历时诗学和共时诗学有机结合起来,把小说类型的现实模态与理想模式勾连起来,有助于现代小说类型学研究摆脱自发和自在状态,从而具有较强的现实阐释能力,又具有较高理论的概括力。一般说来,正体和变体是源和流的关系,正体提供了开放性的和灵活性的召唤结构,呼唤着各种各样的变体舒展开展,充溢起来,使得既定类型充满灵动的生机和活力。没有了变体,呆板单调的正体会失去鲜活感和丰富性;若没有了正体,变体必将失去基本的参照系。
[Abstract]:From the perspective of modern novel typology, orthodoxy and variation are a pair of categories with dialectical relations. Through the comparative study of the two, the diachronic poetics and synchronic poetics of novel typology can be combined organically. Linking the realistic mode of novel type with the ideal mode is helpful for the study of modern novel typology to get rid of the spontaneous and comfortable state, thus having a strong ability to interpret reality and have a higher theoretical generality. Orthodoxy and variation are the relationship between source and flow, which provides an open and flexible calling structure, which calls for a variety of variants to spread out and overflow, so that the given type is full of smart vitality and vitality. A dull and monotonous body loses its freshness and richness; without it, it will lose its basic frame of reference.
【作者单位】：上海政法学院文学与传媒学院;上海大学中国创意写作研究中心;
【基金】：国家社科基金项目“现代性视野下的小说类型学研究”阶段性成果,项目编号:15ZBW019;国家社科基金重大项目“当代美学的基本问题与批评形态”阶段性成果,项目编号:15ZDB023
【分类号】：I207.42
【正文快照】： 明人徐师在《文体明辨序说》里曾论及不同文体具有不同的表现方式,如论碑文说:“主于叙事者曰正体,主于议论者曰变体,叙事而参之以议论者曰变而不失其正。至于托物寓意之文,则又以别体列焉。”(1)我们引用这段文字,意不在辨析其判定的正确与否,而是看中他在不意之中提到了两个

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