符号化的“食婴”记忆——莫言《酒国》的文化命题

发布时间：2018-02-09 07:08

本文关键词： 莫言《酒国》 “食婴”记忆文化记忆文学叙事　出处：《陕西师范大学学报(哲学社会科学版)》2017年06期 　论文类型：期刊论文

【摘要】：从文化记忆视角看,《酒国》是一部写给过去的将来的作品,通过"婴儿宴"的符号寄寓深刻历史批判性和文化延续性,具有反思当下,指导将来的现实意义。作者使用拼贴的叙事技巧将李一斗个人化的记忆书写穿插在不同故事层面,虚构人物"作家莫言"借助李一斗书写的"肉孩"商品化记忆而重构"食婴"这一"吃人"叙事传统,揭示多个人物生理机能缺失的表象下掩盖着所有人物共同的精神创伤,即道德观念的迷失。从过去记忆中"吃人的宴席"到虚构世界里的"婴儿宴",作者借用文字媒介和文学叙事实现口述记忆到文字书写的载体转换,揭示了个体记忆与群体记忆之间相互影响的动态建构过程,最终指向"人"何以为"人"的传统文化命题。
[Abstract]:From the perspective of cultural memory, the Wine country is a work written for the past and the future. Through the symbol of "Baby Banquet", it conveys profound historical criticism and cultural continuity, and has the ability to reflect on the present. The author uses the narrative technique of collage to interspersed Li Yidou's personal memory writing with different story levels. The fictional character Mo Yan reconstructs the narrative tradition of "eating baby" by means of Li Yidou's commercialized memory of "flesh child", which reveals the common mental trauma of all the characters under the appearance of the lack of physiological function of many characters. That is, the loss of moral concept. From the "cannibalism" in the past memory to the "baby banquet" in the fictional world, the author uses the literary media and the literary narration to realize the transformation of the oral memory to the written writing. It reveals the dynamic construction process of the interaction between individual memory and group memory, and finally points to the traditional cultural proposition of why "man" is "human".
【作者单位】：暨南大学文学院;
【基金】：商洛市科技局资助项目“当代小说中的记忆书写”(SK2014-01-28)
【分类号】：I207.42

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