虞山诗派后期领袖冯班与清初齐梁体歌行的再兴

发布时间：2018-02-11 08:44

本文关键词： 冯班虞山诗派齐梁体晚唐清初歌行　出处：《安徽大学学报(哲学社会科学版)》2017年03期 　论文类型：期刊论文

【摘要】：永明以后出现的讲究声律,涉及边塞闺怨、情爱女色等内容的七言歌行充分浸润了齐梁诗学精神,是典型的齐梁旧体,这一体裁在初唐、晚唐等齐梁诗风炽煽的时代都曾复现。清初,冯班接替钱谦益成为虞山诗派的新盟主,在虞山一邑掀起一股复齐梁之古的潮流。冯班对齐梁诗风在诗歌史上的消长历程有较透彻的认识,其创作除了包含风格华艳的近体诗,也括入了齐梁体歌行这一典型的齐梁旧体。在具体的诗学径路上,以冯班为首的虞山诗人采用一种以后溯先的方法,即从温、李等晚唐齐梁体诗人入手,兼学李贺,进而上溯齐梁,创造出一系列刻意求奇、声调婉媚、有词无情的歌行作品,体现出鲜明的晚唐齐梁风格。
[Abstract]:The seven-character song line, which appeared after Yongming, which involved the contents of frontier fortress's boudoir resentment, love for women and so on, fully infiltrated the spirit of Qi Liang's poetics, and was a typical old style of Qi and Liang, which was in the early Tang Dynasty. In the late Tang Dynasty, Qi and Liang dynasties, the era of incandescent poetry was repeated. In the early Qing Dynasty, Feng Pan succeeded Qian Qianyi as the new leader of the Yushan Poetry School. Feng Ban had a thorough understanding of the rise and fall of Qi Liang's poetic style in the history of poetry. In the specific poetics path, Yu Shan poet, led by Feng ban, adopted a method that goes back first, that is, starting with Wen, Li and other late Tang Dynasty Qi Liang poets, and learning from Li he. And then go back to Qi Liang, creating a series of deliberately seeking strange, euphemistic tone, with unrelenting ci song line works, reflecting a bright late Tang Qi Liang style.
【作者单位】：安徽大学文学院;
【基金】：第59批中国博士后科学基金面上资助项目(2016M592027)
【分类号】：I207.22

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