桃园结义和梁山聚义之比较

发布时间：2018-03-06 14:40

本文选题：桃园结义　切入点：梁山聚义　出处：《学术交流》2017年05期 　论文类型：期刊论文

【摘要】：《三国演义》和《水浒传》在思想内容与人物精神上有很多相似之处,但二者在作品的思想内涵与人物的理想追求以及艺术手法等方面,又有着很大不同,对后世的影响更有差异。《水浒传》散发着浓郁的市民江湖意识,而《三国演义》则渗透着文人意识,乃至散发着儒家说教。《三国演义》与《水浒传》的结义精神深深影响了下层社会的人们,构成中国大众文化特征不可或缺的内容。桃园结义与梁山聚义,既充分体现了侠义精神,同时也反映了游民文化的影响。即使是三国的英雄,他们由最初的"上报国家、下安黎庶"的结义宣言,到后来的兴复汉室、平定天下、治国安邦的理想升华,其本质上依然未能摆脱游民文化的影响。
[Abstract]:The Romance of the three Kingdoms and the Outlaws of the Marsh have many similarities in the ideological content and the spirit of the characters, but they are quite different in the ideological connotation of the works, the ideal pursuit of the characters and the artistic techniques, etc. The influence on later generations is more different. "Water margin" exudes a strong sense of the people's rivers and lakes, while "Romance of the three Kingdoms" permeates the consciousness of the literati. The spirit of "the Romance of the three Kingdoms" and "the Water margin" deeply influenced the people in the lower classes and formed an indispensable part of the Chinese popular culture. Not only fully embodied the chivalrous spirit, but also reflected the influence of the nomadic culture. Even the heroes of the three Kingdoms, from the original declaration of "report to the country, lower peace and prosperity," to the later prosperity and restoration of the Han Dynasty, settled the world. The sublimation of the ideal of governing the country is still unable to shake off the influence of nomadic culture in essence.
【作者单位】：天津理工大学汉语言文化学院;
【基金】：天津市哲学社会科学规划课题“中国古代小说韵文研究”(TJZW13-006)
【分类号】：I207.41

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