戏曲双线结构的诗学源流

发布时间：2018-03-17 22:07

本文选题：双线结构　切入点：戏曲结构　出处：《戏剧艺术》2017年04期 　论文类型：期刊论文

【摘要】：双线结构是中国古典戏曲的基本结构形态之一。前人研究往往就叙事文体来研究叙事结构,将戏曲与小说并置,忽略了更大的文学传统尤其是诗学传统对戏曲的影响。戏曲双线结构的起源可以追溯到古典诗学中的对仗结构,《孔雀东南飞》由单线衍生成双线即是其先声。早期南戏已经形成了较为工整的双线结构,《琵琶记》遵循着对仗结构"言对为易,事对为难,反对为优,正对为劣"的美学取向,完善了双线结构。而超越单纯工整的骈对,在此基础上以散对骈,进入"奇偶适变"的更高层面的辩证对应,本就是古典诗学的题中应有之意。元明以来,戏曲被逐步纳入"文体代嬗"的文学谱系中,自然也开始承续着更为广阔的文学传统:以家国兴亡对应工整的生旦离合,超越单纯骈对,形成了离合与兴亡并举的双重结构。
[Abstract]:The twin-line structure is one of the basic structural forms of Chinese classical opera. The influence of the larger literary tradition, especially the poetic tradition, on the opera has been neglected. The origin of the twin-line structure of the opera can be traced back to the antagonistic structure in classical poetics. Shinan Opera has formed a relatively neat two-line structure, and the Book of Pipa follows the opposite structure. "it is easy to say what is right." On the basis of the aesthetic orientation of dilemma, opposition as superiority, and positive opposition as inferiority, the two-line structure is perfected. On the basis of this, the parallel pairs, which go beyond mere neatness, go into a higher level of dialectical correspondence of "odd and even changes". Since the Yuan and Ming dynasties, opera has gradually been brought into the literary pedigree of "style evolution", and naturally it has begun to carry on a broader literary tradition: the rise and fall of the family and the country correspond to the neatly natural separation. Beyond the simple parallel pairs, the double structure of clutch and rise and fall is formed.
【作者单位】：武汉大学艺术学院;
【分类号】：I207.37

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