中国古代诗吟话语形态探微

发布时间：2018-03-18 20:30

本文选题：诗吟话语形态　切入点：情感之吟　出处：《中国文学研究》2017年02期 　论文类型：期刊论文

【摘要】：中国古代诗歌创作和审美方式与"吟"有密切关系,从口头之吟、情感之吟、思维之吟,到行于笔端之文字之吟,诗"吟"的特点贯穿在诗歌构思、情感表现、语言表达、与鉴读赏识的完整审美活动中,形成了中国古代独具特色的诗歌话语形态。本文从古人零散的诗吟论中梳理和阐释古代诗吟话语较为完整的理论形态:从诗乐结合之"歌吟"到诗乐分离之"吟诵",诗歌始终不离"吟";"长吟"、"呻吟"是诗人凄苦情感的自然抒发;"吟"还发展成为一种抒发悲情的特殊诗体形式;从"沈吟"到"苦吟"则体现了诗人对意象揣摩、诗意开拓,意境营建、语言锤炼的动态运思过程。
[Abstract]:Ancient Chinese poetry creation and aesthetic style are closely related to "Yin", from oral, emotional, thinking, to writing on the pen, the characteristics of poetry "Yin" run through the concept of poetry, emotional expression, language expression. And the complete aesthetic activities of reading and appreciation, This article combs and explains the relatively complete theoretical form of the ancient poetry recitation discourse from the scattered poems of the ancients: from the combination of poetry and music to the separation of poetry and music from the "song" to the "song" of the separation of poetry and music. "reciting", poetry is always "singing", "long song", "groan" is the natural expression of poet's sad emotion, "Yin" has also developed into a special form of poetry to express sad feelings; From "Shen Yin" to "bitter Yin", the poet reflects the dynamic thinking process of the poet's understanding of imagery, poetic exploration, artistic conception construction and language practice.
【作者单位】：首都师范大学文学院;
【基金】：中国社会科学院哲学社会科学创新工程重大项目“中华文艺思想通史”阶段性成果
【分类号】：I207.22

【相似文献】