宋代三峡诗研究

发布时间：2018-03-27 16:04

本文选题：宋代三峡诗　切入点：主题内容　出处：《南京师范大学》2017年硕士论文

【摘要】：宋代三峡诗的创作人数众多,数量非常丰富,在内容形式、艺术手法、文化意蕴等方面都有新的发展。宋代三峡诗的书写范围比唐代更加广阔。宋人在借鉴前人写作经验的基础上,对三峡诗的主题内容进行了深度挖掘。瞿塘峡、巫峡、西陵峡三大峡谷的壮丽风光得到了宋人的尽情歌咏,巫山神女的艺术形象在宋人笔下显得更为丰满,以夔州白帝城、八阵图为主的三国遗迹和以屈原、宋玉、王昭君为代表的秭归名人故居都在宋人笔下得到了艺术的再现。在题咏峡区风俗民情的同时,宋人更加关注普通百姓的日常生活,侧重反映和揭示民生疾苦,更具民本情怀。宋代三峡诗艺术手法多样,描写更加细致,有情韵减弱、理性加强的倾向。诗歌篇幅普遍加长,说理议论增多,抒情性减弱,语言稍嫌累赘。宋代三峡诗融合了前代浪漫忧伤的艺术基调与宋代理性思辨的时代氛围,呈现出一种理性之中略带浪漫感伤的特殊风味。“山”、“水”、“云雨”、“猿”、“石”等三峡诗中的常见意象在宋代逐渐完善,“云雨”、“啼猿”意象更是发展成为中国文学史上的经典意象。在唐代基本定型的两种特殊的三峡诗体《巫山高》与《竹枝词》,在宋代得到了进一步的发展,同时呈现出一些新的特色,如融入了新的元素视角和深入理性的思考。巴楚文化给三峡诗打上了鲜明的地域文化烙印,宋代三峡诗则把历史与现实、过去与未来更加紧密地结合在一起。宋人将三峡的自然山水与诗人自身的审美体验进行了重新整合,逐步发展出理性深沉的山水文化观照。三峡独具特色的贬谪文化由屈原发端,经由李白、杜甫等人沉淀积累,到寇准、欧阳修等人逐步完善。宋代三峡贬谪文化的整体基调已由悲愤不平、消极沉郁转变为平和沉稳、积极向上,呈现出一种理性睿智的新气象。
[Abstract]:In the Song Dynasty, the three Gorges poetry was composed in a large number of people, and the quantity was very rich, in the form of content and in artistic methods. The writing scope of the three Gorges poems in the Song Dynasty is wider than that in the Tang Dynasty. On the basis of drawing on the writing experience of the predecessors, the Song people have deeply excavated the theme contents of the three Gorges poems. The magnificent scenery of the three Grand Canyons in Xiling Gorge has been sung heartily by the Song people. The artistic image of the Wushan Goddess is more full in the writings of the Song people. The ruins of the three Kingdoms, mainly in Kuizhou and Baidi City, with eight pictures, and qu Yuan and Song Yu, Zigui Celebrity's former residence, represented by Wang Zhaojun, was reproduced in the works of the Song people. While the customs and the people's feelings in the area were chanted, the Song people paid more attention to the daily life of the ordinary people, focusing on reflecting and revealing the people's livelihood. The three Gorges poetry of the Song Dynasty is characterized by a variety of artistic techniques, more detailed descriptions, less sentimental rhyme, and a tendency to strengthen rationality. The length of the poems is generally longer, the number of rational arguments has increased, and the lyricism has weakened. The three Gorges poems of the Song Dynasty combined the romantic and sad artistic tone of the previous generation with the rational speculative atmosphere of the Song Dynasty. "Mountain", "water", "cloud rain", "ape", "stone" and other common images in the three Gorges poetry gradually improved in the Song Dynasty, "Yun Yu", "Crow ape" image has developed into the history of Chinese literature. In the Tang Dynasty, two special types of three Gorges Poems "Wushan Gao" and "Bamboo Branch ci" were further developed in the Song Dynasty. At the same time, it presents some new features, such as the integration of new element perspective and deep rational thinking. Bachu culture has marked the three Gorges poetry with a distinct regional culture, while the Song Dynasty three Gorges poetry has put history and reality on it. The past and the future are more closely integrated. The Song Dynasty reintegrated the natural landscape of the three Gorges with the poet's own aesthetic experience. Gradually developed a rational and profound landscape culture. The unique relegation culture of the three Gorges started from qu Yuan, accumulated through Li Bai, du Fu and others, and reached Kou Zheng. The overall tone of the relegation culture of the three Gorges in the Song Dynasty has changed from indignation and depression to peace and stability, positive and upward, showing a rational and wise new atmosphere.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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