以情节为切入点的当代国产动画电影剧本问题研究

发布时间：2018-04-03 02:05

本文选题：当代动画电影剧本　切入点：情节　出处：《太原理工大学》2017年硕士论文

【摘要】：当前国内动画电影制作技术已初见成效,技术问题已经不再是制约动画电影质量的关键因素。国内动画公司很长一段时间的工作重心都放在了技术的提高上,导致动画电影剧本未能携手并进,很多国产动画电影让人大失所望的根源就在于其剧本的粗制滥造。在国产动画电影崛起的新篇章,分析探讨国产动画电影剧本的症结显得非常必要。情节是剧本的主体部分,一系列具有内在关联的情节有机组合成剧本结构。《大鱼海棠》、《精灵王座》分别代表了当代国产动画电影二维、三维技术水平的新突破,首先笔者对其电影情节中存在问题的部分进行详细分析,强调剧本在动画电影创作中的重要性。其次,结合导演访谈和问卷调查,论证了当代国产动画电影剧本的症结,即动画编剧和不完整的动画产业链。鉴于此,笔者结合调查分析了国内动画编剧的来源及其生存环境、并将国内动画电影剧本的创作模式与美国迪士尼、皮克斯等优秀动画公司的动画电影剧本创作模式做对比,提倡借鉴国外知名动画品牌公司编剧的创作经验;对于国内不完整的动画产业链,笔者分析了国内动画产业发展中存在的问题,即国内动画电影产业化进程缓慢、衍生产业发展欠佳、以及动画电影前期策划不足等,提倡走工业化生产道路,做好动画电影前期策划,向美国优秀动画公司学习衍生产品开发方法。最后,笔者提出了中国动画电影剧本的创作策略:动画业界和国内高校要重视编剧、培养编剧,而编剧自身也要注重自我提升;动画业界要正确进行商业运作,促进完整动画产业链的建立;同时提倡政府提供相应政策支持,从动画创作源头加大投入,加强知识产权保护力度,促进完整动画产业链的建立。本文共分为五部分,各部分的主要内容为:第一部分:绪论,阐述了论文研究的出发点(研究背景,国内外研究现状及水平)、目的意义及拟解决的关键问题及方法。第二部分:详细分析《大鱼海棠》、《精灵王座》中剧本情节存在的一些问题,与优秀动画剧本情节设置形成对比,强调动画电影剧本的重要性。第三部分:结合导演访谈和问卷调查论证动画电影剧本的症结。第四部分:详细分析当代国产动画电影剧本的症结,即对动画编剧和国内不完整的动画产业链进行分析研究。第五部分:笔者提出了中国动画电影剧本创作的策略。
[Abstract]:At present, domestic animation film production technology has achieved initial results, technical problems are no longer a key factor restricting the quality of animation film.Domestic animation companies for a long time focus on the improvement of technology, resulting in animation film script failed to work hand in hand, many domestic animation film people disappointed by the root of the shoddy production of their scripts.In the new chapter of the rise of domestic animation film, it is necessary to analyze the crux of domestic animation film script.The plot is the main part of the script, and a series of intrinsically related plots are organically combined into the script structure. "Begonia of the Big Fish" and "Queen of the Elves" represent new breakthroughs in the two-dimensional and three-dimensional technical level of contemporary domestic animated films, respectively.Firstly, the author analyzes the existing problems in the movie plot in detail and emphasizes the importance of the script in the animation film creation.Secondly, combined with interviews and questionnaires, this paper demonstrates the crux of contemporary domestic animation screenplay, that is, animation screenwriter and incomplete animation industry chain.In view of this, the author analyzes the source of domestic animation screenwriters and their living environment, and compares the domestic animation screenplay creation mode with the animation screenplay writing mode of American Disney, Pixar and other excellent animation companies.For the incomplete domestic animation industry chain, the author analyzes the problems existing in the development of domestic animation industry, that is, the slow process of domestic animation film industrialization.The derivative industry is not well developed, and so on, and so on. It advocates taking the road of industrial production, doing well in the early stage of animation film planning, and learning the methods of derivative product development from the excellent animation companies of the United States.Finally, the author puts forward the creation strategy of Chinese animation film script: animation industry and domestic colleges and universities should pay attention to screenwriter, cultivate screenwriter, and screenwriter should pay attention to self-promotion, animation industry should carry out commercial operation correctly.At the same time, the government should provide corresponding policy support, increase investment from the source of animation creation, strengthen the protection of intellectual property, and promote the establishment of complete animation industry chain.This paper is divided into five parts. The main contents of each part are as follows: the first part: introduction, expounding the starting point (research background, current situation and level of research at home and abroad), the significance of purpose and the key problems and methods to be solved.The second part: analyzes in detail some problems existing in script plot in "Big Fish Begonia" and "Elf Throne", contrasts with excellent animation script plot setting, and emphasizes the importance of animation movie script.The third part: combining director interview and questionnaire to prove the crux of animation film script.The fourth part: analyze the crux of contemporary domestic animation screenplay, that is, animation screenwriter and domestic incomplete animation industry chain.The fifth part: the author puts forward the strategy of Chinese animation film script creation.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.351

【参考文献】