宋代俳谐文学与民间文化之关系

发布时间：2018-04-09 13:00

本文选题：宋代　切入点：俳谐文学　出处：《西南民族大学学报(人文社科版)》2017年06期

【摘要】：俳谐文学可以上溯到春秋时期,在两宋期间形成一股创作浪潮,这与宋代民间文化的崛起紧密相关,以杂剧为代表的宋代民间谐趣文化深刻影响了文人的创作理念,使之对诙谐俗趣的认可从生活层面上升到文化层面。然而,顺应文化潮流的文人内心却充满着强烈的自我警醒。面对可能耽溺于世俗文化的深层焦虑,使他们总在有意无意地表达着对俗文化的抗拒。趋近却又抗拒的矛盾心态促使他们创造性地改换俳谐文学的品貌,在诙谐作品内部开拓正统品格的空间,化解雅俗价值观的矛盾,这其实延续了中国士人通过个性化的自我表白来构筑文化空间的传统,也在某种程度上修正了俳谐艺术的民间特性。
[Abstract]:Comic literature can be traced back to the Spring and Autumn period, which formed a wave of creation during the Song Dynasty, which is closely related to the rise of folk culture in the Song Dynasty. The folk humor culture represented by the zaju deeply influenced the literati's creative idea.The acceptance of humor and folklore rises from the level of life to the level of culture.However, the literati who follow the cultural trend are full of strong self-warning.In the face of the deep anxiety which may indulge in secular culture, they always express their resistance to vulgar culture intentionally or unintentionally.The ambivalence of approaching but resisting urged them to change the appearance of playful literature creatively, to open up the space of orthodox character in their humorous works, and to resolve the contradiction of elegant and popular values.This actually continues the tradition of Chinese scholars to construct cultural space through individualized self-expression, and to some extent modifies the folk characteristics of comic art.
【作者单位】：福建工程学院人文学院;厦门大学海外教育学院;
【分类号】：I207.2

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