《三国演义》中的赋学史料及其与小说之关联问题

发布时间：2018-04-13 15:24

本文选题：《三国演义》 + 《铜雀台赋》　；参考：《中山大学学报(社会科学版)》2017年03期

【摘要】：在中国古代小说文本中蕴藏有丰富的赋学文本与史料,这是一个被学界长期忽略的赋学领域。借赋学兴盛时代的东汉、三国之史事敷衍而成的历史演义小说《三国演义》,存有《铜雀台赋》《据水断桥赋》《大雾垂江赋》和《赤壁鏖兵赋》以及一些赋学史论。曹植原撰而借诸葛亮之口增改的《铜雀台赋》在《三国演义》的情节转换中起着至关重要的作用,是小说情节不可或缺的组成元素。缘于《三国演义》版本衍变繁杂,各版本中的赋篇文本出现有存、废与增、删的不同抉择以及异名、异文等问题,其中蕴涵着独特的版本价值和历史批评倾向。赋作本身具有描绘性的"体物"特征,又与小说情节设置相关联,在小说氛围创设及情感褒抑方面伏波千里,彰显出鲜明的叙事性特征。雅、俗两种文学体式在以三国为故事发生场的历史语境中相融互渗,彰显出独特的文学现象。
[Abstract]:There are abundant Fu texts and historical materials in the texts of ancient Chinese novels, which has been neglected by scholars for a long time.Cao Zhi's "Tongtiao Tai Fu", which was written by Zhuge Liang, plays a vital role in the plot conversion of the Romance of the three Kingdoms and is an indispensable element of the plot of the novel.Because the versions of the Romance of the three Kingdoms have evolved and complicated, there are different choices, such as existence, rejection and addition, deletion, deletion and so on, which contain unique version value and historical criticism tendency.Fu itself has the characteristics of descriptive "body" and is related to the setting of the plot of the novel. It shows a distinctive narrative characteristic in the creation of the atmosphere of the novel and the suppression of emotion and praise.The two literary styles of elegance and vulgarity mingled with each other in the historical context in which the three Kingdoms took place, which revealed a unique literary phenomenon.
【作者单位】：江苏省社会科学院文学所;
【基金】：国家社会科学基金青年项目“汉赋与《诗经》学互证研究”(14CZW072) 全国高校古委会直接资助项目“《历代赋汇》点校”(1340)
【分类号】：I207.413

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