莫言《红高粱家族》中的魔幻现实主义在德语区的接受研究

发布时间：2018-05-08 00:15

  本文选题：莫言 + 接受美学　； 参考：《青岛大学》2016年硕士论文

【摘要】：本文首先研究了2012年诺贝尔文学奖获得者莫言作品《红高粱家族》在欧洲德语区的接受情况,进而详细分析德语区读者是如何解读莫言作品中“魔幻现实主义”这一特点的。通过研究得出结论,莫言作品《红高粱家族》在德语区的接受程度相对较低,其作品更多的是在汉学界及文学界产生影响。而且很多德语区读者常常带着有色眼镜解读莫言作品,这对他们深入理解莫言作品无疑是很大的障碍。莫言作品中的“魔幻现实主义”被读者从语言到结构再到内容进行了多方面的阐释。例如莫言在作品《红高粱家族》中具有民族特色的语言,别具一格的结构设置,以及被神话了的故乡高密东北乡,这些特点都赋予了莫言“魔幻现实主义”不同于其他作者的特点。这个结论一方面印证了德国“康茨坦兹学派”的“接受理论”,即每个读者对同一部文学作品的解读会因为个人不同的经历和认知而不同,另一方面也说明了每个读者对同一个文学读本的理解是可以多种多样的,在文学阐释中根本不存在绝对的“正确”和“错误”之分。
[Abstract]:This paper first studies the acceptance of the 2012 Nobel Prize winner Mo Yan's work "Red Sorghum Family" in the German-speaking region of Europe, and then analyzes in detail how the readers of the German-speaking region interpret the feature of "Magic realism" in Mo Yan's works. It is concluded that the acceptance of Mo Yan's works Red Sorghum Family is relatively low in the German-speaking region, and his works have more influence in Sinology and literary circles. Moreover, many German-speaking community readers often use colored glasses to interpret Mo Yan's works, which is undoubtedly a great obstacle to their in-depth understanding of Mo Yan's works. The magic realism in Mo Yan's works is interpreted from language to structure to content. For example, in his work "Red Sorghum Family", Mo Yan has a distinctive language, a unique structure, and the mythical hometown of Gaomi Northeast Township. These characteristics have given Mo Yan's Magic realism different from other authors. This conclusion, on the one hand, confirms the "reception theory" of German "Kangzantanzi School", that is, each reader's interpretation of the same literary work varies according to the individual's different experiences and perceptions. On the other hand, it also shows that each reader's understanding of the same literary book can be varied, and there is no absolute difference between "right" and "wrong" in literary interpretation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42
，

本文编号：1859092