冯镇峦《聊斋志异》评点研究

发布时间：2018-05-08 18:24

本文选题：冯镇峦 + 聊斋志异　；参考：《辽宁大学》2017年硕士论文

【摘要】：本文以冯镇峦《聊斋志异》小说评点为中心展开论述,主要从冯镇峦《聊斋志异》评点的理论概况、理论观点、评点中的叙事艺术论等几个方面进行深入研究,本文从以下三个方面对冯镇峦的《聊斋志异》评点进行论述:第一章对冯镇峦《聊斋志异》评点中提到的小说理论从总体上作一个概述。第一节对冯评观点进行梳理。第二节从冯镇峦对金圣叹、毛宗岗、张竹坡和脂砚斋四家理论的借鉴和创新入手,研究冯镇峦的评点理论。第二章对冯镇峦《聊斋志异》评点的理论观点进行研究。第一节分析“有意为文”的文学观。“有意为文”是针对历来关于《聊斋志异》的流行观点而提出的,从中可以看出冯镇峦“有意为文”体现在思想和艺术两方面。第二节阐述冯评的鬼狐形象的塑造理论,冯镇峦的形象理论价值一直被学者重视,他提出的“人世之伦次,百物之性情”的对于形象的塑造具有深刻的理论价值。第三节主要是阐述冯镇峦在评点《聊斋志异》中对“假实证幻”理论的运用与发展。小说虚幻理论到了明清时期已经日臻成熟,冯镇峦在评点中对“假实证幻”的理论进行运用和发展,他对如何进行“假实证幻”进行了系统的论述,充分利用了假实证幻的理论。第三章阐述冯镇峦《聊斋志异》评点中对《聊斋志异》叙事艺术的研究。第一节阐述小说叙事结构的衔接艺术,通过冯评关于段落之间的“拖”“带”艺术、过文和伏笔的衔接艺术以及提笔的开头艺术的研究来思考小说的结构严密性问题,进而对“一书而兼二体”这一独特形式进行深入了解。第二节阐述冯镇峦就《聊斋志异》语言艺术所展开的评点。
[Abstract]:This paper focuses on the commentary of Feng Zhenluan's novel Liaozhai Zhi Yi, mainly from the theoretical overview, theoretical viewpoint, narrative art theory and so on, of Feng Zhenluan's comment on Liaozhai Zhi Yi. This paper discusses Feng Zhenluan's "Liaozhai Zhi Yi" from the following three aspects: the first chapter gives a general overview of the novel theory mentioned in Feng Zhenluan's "Liaozhai Zhi Yi" comment. The first section combs Feng's viewpoint. The second section starts with Feng Zhenluan's theories of Jin Shengtan, Mao Zonggang, Zhang Zhupo and Zhi Yanzhai, and studies Feng Zhenluan's comment theory. The second chapter studies the theoretical point of view of Feng Zhenluan's comments on Liaozhai Zhi Yi. The first section analyzes the literary view of "intentional writing". According to the popular view of "Liaozhai Zhi Yi", it can be seen that Feng Zhenluan's "intentional text" is embodied in two aspects: thought and art. The second section expounds Feng's theory of shaping the image of ghost fox. The theoretical value of Feng Zhenluan's image has been paid attention to by scholars all the time, and his theory of "the times of the world and the disposition of all things" has profound theoretical value for the shaping of the image. The third section mainly expounds the application and development of Feng Zhenluan's theory of false positivism in the commentary of Liaozhai. The fictional theory of fiction has matured in the Ming and Qing dynasties. Feng Zhenluan applied and developed the theory of "false positive illusion" in his comments, and he systematically discussed how to carry out "false empirical fantasy". Full use of false empirical fantasy theory. The third chapter expounds Feng Zhenluan's comments on the narrative art of Liaozhai. The first section expounds the cohesion art of the narrative structure of the novel. Through the study of the art of "drag" and "belt" between paragraphs, the art of linking between the passage and the writing, and the art of beginning the pen, the author thinks about the strictness of the structure of the novel. Then the unique form of "one book and two bodies" is deeply understood. The second section expounds Feng Zhenluan's comments on the language art of Liaozhai.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

【参考文献】