论辛弃疾二十四首《临江仙》的体式及其词谱学意义

发布时间：2018-05-09 07:39

本文选题：辛弃疾 + 《临江仙》　；参考：《文艺理论研究》2017年04期

【摘要】：辛弃疾有《临江仙》词24首,是两宋间留存《临江仙》词调最多的词人,在《临江仙》词调的创作以及发展史上占有重要地位。辛弃疾留存的24首均选用双调60字基本体,格律处理十分严谨,平仄安排不仅符合《临江仙》的声律要求,甚至比《词律》和《钦定词谱》所总结的谱式更符合创作实际。辛弃疾24首《临江仙》的句式、韵位等主要由词调本身决定,但辛弃疾对词调、体式的选择以及对词调固有声情特点的遵循,使其词总体呈现出舒缓流畅的声情特点。24首词大部分作于辛弃疾退居江西时期,作者有较多时间观察农村的美景,体验家居的闲适乐趣,因此词的题材虽然比较广泛,情感层次也比较多样,但总体上呈现出和谐冲淡、舒缓雍容的特点,与《临江仙》60字体流丽谐婉、舒缓和畅的体式特征相一致,达到内容与形式的和谐。辛弃疾所用的《临江仙》60字体较为后出,由58字体变化而来,但由于增加了律句,使其更加和谐整饬,受到文人普遍欢迎。从留存的作品看,这一体式首见于滕宗谅,由苏轼初步成型,中间经叶梦得等人的创作实践,最后由辛弃疾确定其词调风貌和词谱定式,并通过大量创作而彰显其活力与影响。
[Abstract]:Xin Qiji has 24 ci poems in Linjiang Immortals, which is the most popular ci rhyme in the Song Dynasty, and plays an important role in the creation and development of the ci tune of Linjiang Immortals. The 24 songs retained by Xin Qiji are composed of 60 characters of double tone, and the rhythm is very strict. The arrangement not only conforms to the requirements of "Linjiang Immortals", but is even more suitable to the creative practice than those summed up in "ci Rhythm" and "Linding ci Spectrum". The sentence structure and rhyme position of Xin Qiji's 24 "Linjiang Immortals" are mainly determined by the tone of ci, but the choice of style and style of ci, as well as the characteristics of sound and emotion inherent in the tone of ci, are followed by Xin Qiji. The author has more time to observe the beautiful scenery of the countryside and experience the leisure fun of the home, so the subject matter of the word is quite extensive, although the subject matter of the word is quite extensive, the author has more time to observe the beautiful scenery of the countryside and to experience the leisure fun of the home, so although the subject matter of the word is quite extensive, The emotional level is also quite diverse, but on the whole it presents the characteristics of harmonious dilution and soothing grace, which is consistent with "Linjiang Immortals" 60 font, smooth and smooth style features, and achieves harmony between content and form. The "Linjiang Xian" 60 font used by Xin Qiji came out later and changed from 58 fonts, but it was generally welcomed by the literati because of the addition of the rule sentence, which made it more harmonious and neat. From the point of view of the retained works, this unified style is first seen in Teng Zongliang, initially shaped by Su Shi, and through the creative practice of Ye Mengde, etc. Finally, Xin Qiji determines the style and pattern of ci, and reveals its vitality and influence through a large number of creations.
【作者单位】：华东师范大学中文系;
【基金】：国家社科基金重大项目“词体声律研究与词谱重修”[项目编号:15ZDB072]阶段性成果
【分类号】：I207.23

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