论明清之际的比兴诗学——以朱鹤龄、冯班、贺裳、吴乔四家为例

发布时间：2018-05-16 00:14

本文选题：比兴诗学 + 七子派　；参考：《文艺理论研究》2017年05期

【摘要】：在明末清初的江南诗坛上,朱鹤龄、冯班、贺裳、吴乔等人由于不满意前代七子诗学与竟陵派诗学师古与师心的偏颇,通过一系列诗学批评和反思之后,开始以"学古人用心之路"为号召,以比兴思维为理论核心,在调和与平衡师古与师心关系的过程中,逐步建立起了一套新型的比兴诗学。这套诗学,以追求结构的多重性、审美的内向性、格调的正统性以及诠释的比附性为典型特征。经由诗学争鸣与师友传播等途径,迅速影响清初的诗坛,直接或间接地引发了诗学批评中有关政教美刺精神、唐宋诗优劣、李商隐诗学地位的重新界定以及诗重比兴等重要问题的大讨论。
[Abstract]:In the Jiangnan poetry world in the late Ming and early Qing dynasties, Zhu Heling, Feng Ban, he Chang, Wu Qiao and others were dissatisfied with the bias of the seven sons' poetics of the previous generation and the ancient and teacher's heart of the Jingling School of poetics, after a series of poetics criticism and reflection. Starting with the call of "learning the way of the ancients' heart" and taking the thinking of Bi Xing as the theoretical core, in the process of conciliating and balancing the relationship between the ancient teacher and the mind of the teacher, a new set of Bixing poetics was gradually established. This set of poetics is characterized by the pursuit of the multiplicity of structure, the introversion of aesthetics, the orthodoxy of style and the consistency of interpretation. By means of poetics contention and teacher-friend communication, the poetic circles in the early Qing Dynasty were rapidly influenced, which directly or indirectly led to the poetic criticism about the spirit of political and religious beauty thorn, and the merits and demerits of Tang and Song poems. The redefinition of Li Shangyin's poetics and the discussion of its importance.
【作者单位】：南京师范大学文学院;
【分类号】：I207.22

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