玄言诗的抒情方式研究

发布时间：2018-05-16 14:18

本文选题：玄言诗 + 抒情　；参考：《西藏大学》2017年硕士论文

【摘要】：玄言诗是我国诗歌中重要的组成部分,但由于其多玄多哲理枯燥的原因使得其长期以来不被重要,但不可否认的是玄言诗本身是存在抒情传统的特征的,并且在玄言诗的发展中抒情的表达发生也是产生了变化的。本文试图通过对正始时期、西晋时期、东晋时期、晋宋时期这四个时间段玄言诗的表达特点进行分析,以此来论证玄言诗中确含抒情成分,并梳理研究抒情在玄言诗整个历史进程中呈现出的变化色。本论文共分为五个部分:绪论部分简要说明了诗歌抒情表达样式的研究现状,结合上世纪80年代玄言诗研究热潮发现以中国抒情传统为目的来研究玄言诗的抒情性是当下玄言诗研究的一个小热点,并指出本文玄言诗抒情研究的可能性与意义。第一章对玄言诗产生之前诗歌抒情表达样式的分析,借《诗经》、《楚辞》、古诗十九首三者为代表的抒情方式的传承和沿袭关系,验证诗歌在产生之初就与抒情密不可分,并对玄言诗的产生奠定了文学和情感基础。第二章主要对玄言诗发展历程中的抒情进行归类,结合目前学界的基本观点研究分析正始、西晋、东晋、晋宋时期具体的时间段下的代表诗人诗歌的抒情划分为:因事缘情、借景舒情、借理藏情、情景交融四类,分析得出玄言诗中饱含有浓郁的情感色彩,从而论证玄言诗并非只有玄言。在第二章的基础上,引出对第三章玄言诗发展过程中抒情方式的变化过程研究。第三章分析探究玄言诗发展过程中抒情方式的变化及特点,结合玄言诗的四个发展阶段过程中作家的诗歌写作特点分析,将四个阶段的玄言诗抒情变化过程分析概括为:承情、藏情、理情、高情四个层次。第四章对玄言诗抒情方式产生变化的成因及影响进行分析,得出社会思潮的变化、作者的推动、个人特质等多方面共同推动并完成了玄言诗抒情方式的转变。并指出,这样的转变,促使了山水诗与田园诗的产生“山水方滋,庄老未退”,并对宋诗哲理化,文人情感表达等方面产生影响。结语部分是对论文的整体概括,概括指出玄言诗中抒情方式的变化是随着玄言诗的发展过程不断进行调整变化的。
[Abstract]:Metaphysical poetry is an important part of Chinese poetry, but it is not important for a long time because of its dull philosophy, but it is undeniable that metaphysical poetry itself has the characteristics of lyrical tradition. And in the development of metaphysical poetry lyric expression has also changed. This paper attempts to analyze the expressive characteristics of metaphysical poems in the beginning period, the Western Jin period, the Eastern Jin period and the Jin and Song Dynasty, so as to prove that there are lyric elements in the metaphysical poems. And combing the study of lyric in the whole historical process of metaphysical poetry presents a changing color. This thesis is divided into five parts: the introduction part briefly explains the research status of lyric expression style in poetry. Combined with the hot research of metaphysical poetry in the 1980s, it is found that the lyricism of metaphysical poetry is a little hot spot in the study of metaphysical poetry with the aim of Chinese lyric tradition, and the possibility and significance of the lyric research in this paper are pointed out. The first chapter analyzes the lyric expression style of the poems before the emergence of metaphysical poems, by means of the inheritance and inheritance of the lyric ways represented by the Book of songs, the songs of Chu and the nineteen ancient poems, to verify that poetry is inseparable from lyricism at the beginning of its emergence. It also lays a literary and emotional foundation for the emergence of metaphysical poetry. The second chapter mainly classifies the lyricism in the development process of metaphysical poems, and analyzes the lyricism of the representative poets' poems in the specific time period of the Western Jin, Eastern Jin and Jin and Song dynasties in the light of the basic viewpoints of the academic circles at present. Based on the analysis of the four kinds of emotion, this paper concludes that the metaphysical poems are full of rich emotional color, thus demonstrating that metaphysical poems are not only metaphysical poems. On the basis of the second chapter, the author studies the changing process of lyric style in the development of the third chapter. The third chapter analyzes the changes and characteristics of lyric style in the development of metaphysical poetry, combined with the characteristics of the writer's poetry writing in the four stages of the development of metaphysical poetry, and generalizes the four stages of metaphysical poetry lyric change process as follows: accepting emotion. Tibetan feelings, reasonable feelings, high feelings four levels. The fourth chapter analyzes the causes and effects of the changes in the lyric style of metaphysical poems, and concludes that the changes of social trends of thought, the author's promotion, personal characteristics and so on, together promote and complete the transformation of the lyric style of metaphysical poems. It is pointed out that this change has promoted the emergence of landscape poetry and idyllic poetry, which has had an impact on the philosophization of poetry in Song Dynasty and the expression of literati's emotion. The conclusion part is the whole summary of the thesis, and points out that the change of lyric style in metaphysical poetry is constantly adjusted with the development of metaphysical poetry.
【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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