宋徵舆词研究

发布时间：2018-05-19 02:12

本文选题：云间词派 + 宋徵舆　；参考：《辽宁大学》2017年硕士论文

【摘要】：龙榆生先生说“词学衰于明代,至子龙出,宗风大振,遂开三百年来词学中兴之盛”,要探寻清初词风嬗变的脉络,重点应放在对以陈子龙为首的云间词派的考查上。宋徵舆词在云间词派中的地位和影响同样不可忽视,是清初词风嬗变的重要一环,也拥有较高的艺术成就,因此,我们有必要在研究云间词派的基础上对宋徵舆词进行深入研究,这同时也有助于我们对云间词派有一个更透彻的把握。全文共分六个部分:首先,绪论部分对已有的宋征舆词研究成果进行梳理,凸显本文的研究动机和研究方向。第一部分简单介绍宋徵舆生平及其词作收录情况,并分析论证其“凤想楼”词是由宋徵舆自己按照时序进行编排,且在创作时间上跨越六个年头,起于崇祯六年(1633)秋,止于崇祯十一年(1638)春。其《海闾倡和香词》是由吴伟业编选入《倡和诗馀》,按照词调长短进行编排,且应作于顺治四年(1647)春季之后。第二部分先从《幽兰草题词》《倡和诗馀序》《支机集凡例》等理论文献中分析云间词派词学主张的变化趋势,再从宋徵舆《唐宋词选序》及其具体作品中窥探宋徵舆个人的词学主张,以此来看宋徵舆个人的词学主张和具体实践在云间词派词学主张发展变化中的作用和影响。第三部分总结分析宋徵舆词的题材。其“凤想楼”词在内容上大体不出花间、南唐,可以分为抒怀之作和咏物之作。大部分作品闺阁气很浓,但又间有沉郁顿挫之作,其《海闾倡和香词》在内容上更加狭窄,具有明显的倡和特点,但又表现出了一丝平淡和洒脱。第四部分从“传奇的笔法”、“构思的精巧”、“用韵的规范”三方面分析宋徵舆词的创作技法,并且其“凤想楼”词晚于《海闾倡和香词》大约十年,在这十年间,宋徵舆的作词技法有了一个明显的提升,可以通过这两部词集反映出来。第五部分论述宋徵舆词在云间词派中“溯源导流”的地位,及其在云间词派发展过程中承上启下的作用。综上,本文先对宋徵舆词的收录、编辑、作年情况进行梳理,然后从理论和实践两个方面探讨宋徵舆的词学主张,再综合分析宋徵舆词的内容和艺术,最后总结宋徵舆词在云间词派中的地位和影响。
[Abstract]:Long Yusheng said that "ci studies declined in the Ming Dynasty, until Zilong came out, and Zongfeng was greatly inspired, and then opened the flourishing of ci studies in the past 300 years." in order to explore the evolution of ci style in the early Qing Dynasty, the emphasis should be placed on the examination of the Yunjian-ci school headed by Chen Zilong. The position and influence of Song Zhengyu ci in the Yunjian ci school can not be ignored. It is an important link in the evolution of ci style in the early Qing Dynasty, and it also has higher artistic achievements. It is necessary for us to study Song Zhengyu's ci on the basis of studying Yunjian ci School, which is helpful for us to have a more thorough understanding of Yunjian ci School at the same time. The full text is divided into six parts: first, the introduction of the existing research results of Song Zhengyu to highlight the research motivation and research direction. The first part briefly introduces Song Zhengyu's life and ci collection, and analyzes and proves that Song Zhengyu's "Feng Xiang Lou" is arranged according to the time sequence, and it spans six years in the writing time, starting from Chong Zhen's six years and 1633) autumn. The spring ended in 1638 in 11 years of Chongzhen. Hailu's poems of advocating and fragrant were compiled by Wu Weiye and arranged according to the length of ci and should be made after the spring of Shunzhi (1647). The second part first analyzes the change trend of Yunjian ci school's propositions from the theoretical literature, such as "the inscription of pyloric grass", "the preface to the poem", "Zhi Qi Ji", and so on. From Song Zhengyu's ci selection of Tang Dynasty and Song Dynasty and his specific works, this paper explores Song Zhengyu's personal propositions of ci poetry, and then discusses the function and influence of Song Zhengyu's personal propositions and practices in the development and change of Yunjian ci School's propositions. The third part summarizes and analyzes the theme of Song Zhengyu's ci. Its "Fengxianlou" in the content of the main content of the flower, the Southern Tang Dynasty, can be divided into express works and works of chanting things. Most of the works are full of boudoir, but there are melancholy works between them. Its "Hailu and Xiang ci" is narrower in content and has obvious advocacy and characteristics, but it also shows a touch of plain and free and easy. The fourth part analyzes the creative techniques of Song Zhengyu's ci from the three aspects of "legendary strokes", "ingenuity of conception" and "norms of rhyme", and its "Feng Xianglou" ci is about ten years later than "Hailu's advocating and fragrant ci". Song Zhengyu's ci-writing technique has an obvious improvement, which can be reflected through these two ci-sets. The fifth part discusses the position of Song Zhengyu ci in the Yunjian ci School, and its role in the development of Yunjian ci School. To sum up, this paper first combs the collection, editing and making of Song Zhengyu's ci words, then discusses Song Zhengyu's propositions of ci poetry from two aspects of theory and practice, and then synthetically analyzes the content and art of Song Zhengyu's ci. Finally, it summarizes the position and influence of Song Zhengyu ci in Yunjian ci School.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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