论当代古筝名曲与唐诗

发布时间：2018-05-19 23:01

本文选题：筝乐发展 + 古筝　；参考：《江西师范大学》2017年硕士论文

【摘要】：筝是我国传统的民族乐器,如今已有三千多年的历史,它的正式名称叫作“筝”,仅仅是因为历史十分悠久,所以现在大多数的人们都称之为“古筝”。笔者的中心思想在于对筝曲与唐诗之间的密切关系进行研究,其中以三大章节作为基本方向开始着手研究,第一章简述我国筝乐历史发展概况。作为一个习筝者,最基础的则是要了解筝乐的历史发展脉络,不论是谈及什么事物的发展,最终都要回归到它的起源,所以本文的一个着手点在于筝乐是如何起源的,将原有的抽象的理解转为现有的具体化的知识。紧接着对唐以前的筝乐发展概况分不同时期的筝进行简单的介绍,分别从秦朝、汉魏六朝前期、汉魏六朝后期这样三个实践维度着手阐述。以第三小节简述唐代筝乐作为衔本文第二章唐诗中的筝乐。将重点放在本章节的唐代的筝乐文化中,春秋战国时期的筝开始流行于各国,直到唐朝兴盛起来,也受唐朝的政治制度决定。相对来说,唐朝的政治制度诗比较宽松的,阶级性也没那么强烈,随之出现了一批拥有无尽创作灵感的诗人,留下了诸多精彩又著名的古诗词。在唐代,描写筝乐的诗句不计其数,摘取部分进行研究扩展。近年来,许多作曲家纷纷以唐诗为题材,结合唐诗中的知情意进行筝乐上的二度创作。这些作品蕴藏着深厚的文化内涵,也体现了我国文化精神。由此引出了本文的重点研究章节——第三章。第三章以五首当代古筝名曲与唐诗进行深入研究,分别将当代古筝名曲《秦桑曲》与唐诗《春思》;当代古筝名曲《春江花月夜》与唐诗《琵琶行》;当代古筝名曲《秋望》与唐诗《长安秋望》;当代古筝名曲《枫桥夜泊》与唐诗《枫桥夜泊》以及当代古筝名曲《箜篌引》与唐诗《李凭箜篌引》从横向以及纵向的进行剖析其作品的创作背景,从古诗的写作背景,作者,以及创作此曲的作曲家等等多个方面相互联系与比较,体验音乐与文化结合之美。通过进行此类跨学科的研究,从多角度的视角进一步、更深层次的去了解古筝的发展由来,去理解古筝作品想要表达的内涵,这也是帮助演奏者增加二度创作的灵感,同时也能给予演奏者更多的理论支撑以及对作品更好的诠释和理解,当然对于欣赏者来说,这也能对音乐作品有了更清晰的认识,从而不再一味的停留在表面的,浅显的认识。
[Abstract]:Zheng is a traditional national musical instrument in our country. Now it has a history of more than 3000 years. Its official name is "Zheng", only because of its long history, most people now call it "guzheng". The author's central idea is to study the close relationship between Zheng music and Tang poetry, in which three chapters are taken as the basic direction to begin to study. The first chapter briefly describes the historical development of Zheng music in China. As a zither person, the most basic thing is to understand the historical development of Zheng music, no matter what the development of things, they have to return to its origin, so one of the starting points of this article is how the Zheng music originated. Translate the original abstract understanding into the existing concrete knowledge. Then the development of Zheng music before Tang Dynasty in different periods of brief introduction, respectively from Qin Dynasty, Han Wei six dynasties, Han Wei six dynasties such three practical dimensions. The third section briefly describes the Zheng music in Tang Dynasty as the title of the second chapter. Focusing on this chapter of the Tang Dynasty Zheng music culture, the Spring and Autumn warring States period Zheng began to be popular in all countries, until the Tang Dynasty flourished, but also by the Tang Dynasty's political system. Comparatively speaking, the political system poetry of Tang Dynasty is relatively loose, the class nature is not so strong, then a group of poets with endless creative inspiration have appeared, leaving behind many wonderful and famous ancient poems. In the Tang Dynasty, there were countless poems describing Zheng music. In recent years, many composers take Tang poetry as the subject matter and combine the knowledge and emotion of Tang poetry for the second creation of Zheng music. These works contain profound cultural connotations and also reflect the cultural spirit of our country. This leads to the focus of this chapter-the third chapter. The third chapter carries on the thorough research with five contemporary guzheng famous songs and Tang poetry, The contemporary guzheng famous song "Qin Sang qu" and Tang poem "spring thought"; the contemporary guzheng famous song "Spring River Flower Moon Night" and Tang poem "pipa line"; the contemporary guzheng famous song "Autumn look" and Tang poem "Chang'an Autumn look"; the contemporary Zheng famous song "Fengqiao" "Night Park" and Tang Poetry "Fengqiao Night Park", as well as the contemporary guzheng famous song "harp" and Tang poem "Li with the harp", analyze the creative background of his works both horizontally and longitudinally. From the writing background of the ancient poem, the author, and the composer of this song and so on, and so on many aspects relate and compare with each other, experience the beauty of the combination of music and culture. Through such interdisciplinary research, from a multi-angle perspective to further understand the development of Guzheng, to understand the meaning of Guzheng works want to express, this is also to help players to increase the second creation of inspiration. At the same time, it can also give the performer more theoretical support and better interpretation and understanding of the work, of course, for the audience, this can also have a clearer understanding of the music, so that no longer blindly stay in the superficial, plain understanding.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.32;I207.22

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