没有航标的泅渡——谈70后作家的创作短板

发布时间：2018-05-24 14:02

本文选题：文学奖项 + 文学期刊　；参考：《南方文坛》2017年06期

【摘要】：正毫无疑问,在当今文坛上,70后作家至少在数量上是创作的主力。他们的名字占据着各个文学期刊的目录页和各种文学奖项的获奖名单,他们中间那些创作成绩得到文学界广泛承认的作家,有大量的学者分析着他们的作品,有意从事文学创作的初习写作者把他们作为学习、模仿的榜样。那些各居一方的70后作家本人,则频繁受邀参加天南海北的主题研讨会,介绍着自己的创作经验、文学主张。(1)然而,对70后作家的研究,作为如今当代文学研
[Abstract]:There is no doubt that in the present literary world, writers are the main force of creation at least in quantity. Their names occupy the pages of the catalogues of literary journals and the winners of various literary awards, among the writers whose creative achievements are widely recognized in the literary world, and in which a large number of scholars analyze their works. Beginners who are interested in literary creation use them as an example of learning and imitation. The post-70s writers themselves are frequently invited to seminars on topics from the south to the north, introducing their own creative experiences, literary propositions.) however, the study of post-70s writers, as a contemporary literature study,
【作者单位】：中国艺术报社;
【分类号】：I207.42

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