初唐传奇中的第一人称叙述视角作品探析

发布时间：2018-05-28 22:19

本文选题：初唐传奇 + 第一人称叙述视角　；参考：《湖北民族学院学报(哲学社会科学版)》2017年02期

【摘要】：中国古代小说特别是文言小说作品一般都采用第三人称全知叙事的叙述视角,而很少有第一人称限知叙述视角作品的出现。难能可贵的是初唐传奇作品中已开始呈现较为成功的第一人称叙述视角的作品,如《古镜记》、《游仙窟》,尽管作品数量寥若晨星,但它们在展示人物心理的曲折、提升故事的真实性等方面较第三人称叙述视角有着明显的优势,探究它们的特点和价值也具有小说史的意义。
[Abstract]:Chinese ancient novels, especially classical Chinese novels, generally adopt the narrative perspective of the third person omniscient narration, but there are few works of the first person limited knowledge narrative angle. What is commendable is that the legendary works of the early Tang Dynasty have begun to present a more successful first-person narrative perspective, such as the Ancient Mirror and the Grottoes of the Immortals. Although the number of works is as few as the morning stars, they are showing the twists and turns of the characters' psychology. Improving the truth of the story has obvious advantages over the perspective of the third person narration, and exploring their characteristics and value also has the significance of the history of the novel.
【作者单位】：信阳师范学院文学院;
【分类号】：I207.41

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