“荒寒”与“同光体”诗歌的境域

发布时间：2018-05-29 10:22

本文选题：“同光体” + 荒寒　；参考：《苏州大学学报(哲学社会科学版)》2017年05期

【摘要】："同光体"是晚清民初诗坛上具有影响的理趣诗派。诗人论诗标举荒寒,以理趣为宗。参禅习道以悟幽邃之玄理,摹写画境以得瘦硬之逸趣,锤炼隽语以抒清雅之真意,都是诗人焦虑心理的抒写。清、寒、瘦之品格已不囿于宋人境域,作诗究心宋人诗法,效法江西旧体;昒铸唐诗风骨,刻画清寒瘦硬;打通唐宋"三元",追摹魏晋玄言,体现诗人宣泄情绪途径的多样性。诗风幽渺典奥,推崇生涩奥衍之赣派善以瘦硬之笔写困境,雅好清苍幽峭之闽派能以清远之风写玄境,力求字重光坚之浙派好以幽寒之辞写禅境,是诗人消解焦虑方式在诗中的呈现。体式钩章棘句,多用硬语、隽语、玄言,以避俗避熟;远效江西、近取桐城,以古文章法为诗;作诗务求新异,涩体以古为新,是焦虑之语与诗、书、画、学众艺的融合。
[Abstract]:Tongguang style is an influential rationalistic poetic school in late Qing Dynasty and early Republic of China. The poet discusses the poem to raise the desolate cold, takes the rational interest as the sect. It is the poet's anxiety to learn the profound metaphysics of Zen practice, to describe the painting environment to get the thin and hard interest, and to exercise his words to express the true meaning of elegance. The character of Qing, Han and thin was not confined to the boundary of Song Dynasty, so he wrote poems to study the poetic style of Song people, imitating the old style of Jiangxi, casting the strength of Tang poetry, portraying the Qing Dynasty, thin and hard, unblocking the "three Yuan" of Tang and Song dynasties, and copying the words of Wei, Jin and Xuan, which reflected the diversity of the poet's cathartic ways. The poetic style is ethereal, and the Gan School, which exalts the new and astringent arcane Yan, writes its predicament with thin and hard brushes. The Ya Ching School of Fujian can write the metaphysical realm with the wind of Qingyuan, and strive for the Zen state to be written in the form of cold and cold words by the Zhejiang School of heavy Light and Harmony. It is the presentation of the poet's way of dispelling anxiety in the poem. The style hooks a ratchet sentence, uses the hard language, the Jun, the metaphysical word, avoids the common custom to avoid familiar; the distant effect Jiangxi, takes Tongcheng, takes the ancient style as the poem; writes the poem to seek for the new difference, the astringent body takes the ancient as the new, is the anxious language and the poem, the book, the painting, the study common skill fusion.
【作者单位】：中南民族大学文学与新闻传播学院;
【基金】：国家社会科学基金项目“《桐城文学渊源考》补正”(项目编号:16BZW038)的阶段性成果
【分类号】：I207.22

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