中唐诗歌“审丑”意象研究

发布时间：2018-06-01 18:05

本文选题：中唐 + 诗歌　；参考：《广西师范学院》2017年硕士论文

【摘要】：中唐时期的诗歌风格流派众多,数量也超越了盛唐,翻开中唐诗卷,会发现大量奇奇怪怪、丑陋诡谲的意象充斥其中,且其出现并非偶然。诗歌中的意象是言情达志的重要承载物,渗透着诗人的审美趣味及一时代的审美方向。审丑与审美同属于美学的一部分,但一直以来的审丑研究处于尴尬的位置,往往是在文人研究的部分篇章出现,或是伴随审美研究的陪伴者。中唐诗歌可谓是“丑”的大舞台,林林总总的审丑意象“异军突起”,从一个时代的角度来看这时期的诗歌,审丑意象的“崛起”既是中唐时代诗人深受时代经济、政治、文化思想影响的特殊产物,也是中国古代人审丑意识及能力发展的结果。从中唐诗歌意象的“审丑”发展过程来看,中唐的审丑经历了安史之乱后的崛起、中唐中期的兴盛、中唐晚期的变化三个阶段。正是这不断发展的三个阶段,为我们展现了中唐诗歌审丑意象的发展脉络。诗人从被动的接受审丑到主动并大量的创作审丑意象,丑包括狭义的和广义的,狭义的丑主要指内容题材的丑,广义的丑主要指诗歌创作手法的独特,具体来说,狭义的丑可分为人、物、事三种,可从中探讨每一典型的丑怪意象所具的美学意义。由于中唐特定的社会条件,文人的心理也发生着重大变化,求新求变成为中唐文学的潮流,韩愈的“以文为诗”、白居易的新乐府无不在探索中唐文学审美的转型,对现实的批判、对创作的苦吟,这些都使得审丑意象必然在中唐大量出现。中唐诗歌审丑意象所具有的美学特色,有着与其他时代诗歌完全不同的特点,既创造了属于中唐特有的审丑特色,也由于中唐诗人个体诗歌创作风格不同与独特魅力,推动了审丑方式的多样性发展。中唐诗歌审丑的大量出现,既是对审丑这一文学范式的继承与拓展,更对后世文学的审丑产生重要影响,中唐的“丑”从广度上来说,拓宽了诗歌审丑的题材内容,从深度上来说,深具人文批判与反思精神,其包含的美学意蕴与文学创新思想推动了中唐诗歌的发展。从古代文学理论来看,中唐诗歌的审丑确立了“以丑为美”的观念,也是审丑突破审美藩篱的重要时期,因而具有重要的文学史意义。
[Abstract]:There are many poetic styles in the middle Tang Dynasty, and the number of poems is more than that of the prosperous Tang Dynasty. If we open the poems, we will find a lot of strange and strange images, and the appearance of them is not accidental. The image in poetry is an important carrier of expressing emotion and achieving ambition, which permeates the poet's aesthetic taste and the aesthetic direction of one era. Both appreciation of ugliness and aesthetics are part of aesthetics, but the study of appreciation of ugliness has always been in an awkward position, often appearing in some chapters of literary studies or accompanying the study of aesthetics. The poetry of the middle Tang Dynasty is the big stage of "ugliness", and the images of appraising ugliness appear suddenly. From the angle of an era, the rise of the image of appreciation of ugliness is not only the economy and politics of the times, but also the rise of the image of appreciation of ugliness. The special product of the influence of cultural thought is also the result of the development of Chinese ancient people's consciousness and ability of appreciating ugliness. From the perspective of the development process of the image of "judging ugliness" in the middle Tang Dynasty, the appreciation of ugliness in the middle Tang Dynasty has experienced three stages: the rise after the Anshi Rebellion, the prosperity of the middle Tang Dynasty and the change of the late Tang Dynasty. It is these three stages of continuous development that show us the development of the image of appreciating ugliness in middle Tang poetry. From passive acceptance of ugliness to active and large amount of artistic images, ugliness includes narrow sense and broad sense, narrow sense of ugliness mainly refers to the ugliness of content, broad sense of ugliness mainly refers to the unique style of poetry creation, specifically speaking, In a narrow sense, ugliness can be divided into three types: human, object and matter, from which the aesthetic significance of each typical ugly image can be discussed. Due to the specific social conditions in the middle Tang Dynasty, the psychology of the literati has also undergone great changes. Seeking new ideas has become the trend of the literature in the middle Tang Dynasty. Han Yu's "taking the text as a poem" and Bai Juyi's new Yuefu are exploring the transformation of the aesthetic appreciation of the literature in the middle Tang Dynasty. The criticism of reality and the bitterness of creation make the image of appreciation of ugliness appear in large numbers in the middle Tang Dynasty. The aesthetic features of the image of appreciating ugliness in the poetry of the middle Tang Dynasty are completely different from the poems of other times. It not only creates the unique features of the appreciation of ugliness in the middle Tang Dynasty, but also because of the different styles and unique charm of the poets' individual poems in the middle Tang Dynasty. Promote the development of the various ways of judging ugliness. The appearance of appreciating ugliness in poetry in the middle Tang Dynasty not only inherits and expands the literary paradigm of judging ugliness, but also exerts an important influence on the appreciation of ugliness in later generations. The "ugliness" of the middle Tang Dynasty broadens the subject matter of appreciating ugliness in poetry. In depth, it has the spirit of humanistic criticism and introspection, and its aesthetic implication and literary innovation have promoted the development of poetry in the middle Tang Dynasty. Judging from the ancient literary theory, the appreciation of ugliness in the middle Tang Dynasty established the concept of "taking ugliness as beauty", and it was also an important period for the appreciation of ugliness to break through the aesthetic barriers, thus having important significance in literary history.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

【参考文献】